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010 a| 2012026045;

020 a| 9780253007254 (cloth : alk. paper);

020 a| 9780253007292 (pbk. : alk. paper);

020 a| 9780253007339 (e-book);

035 a| (WaSeSS)ssj0000801576;

040 a| IEN/DLCc| IENd| DLCd| WaSeSS;

042 a| pcc;

043 a| f-gh---;

049 a| EREEa| NEHH;

050 00 a| ML3917.G43b| P53 2013;

082 00 a| 306.4/84096672| 23;

100 1 a| Plageman, Nate,d| 1978-?| UNAUTHORIZED;

245 10 a| Highlife Saturday nighth| [electronic resource] :b| popular music and social change in urban Ghana /c| Nate Plageman.;

260 a| Bloomington :b| Indiana University Press,;

300 a| xvi, 318 p. :b| ill., maps ;c| 23 cm.;

490 1 a| African expressive cultures;

490 1 a| Ethnomusicology multimedia;

504 a| Includes discography (p. 279-287), bibliographical references (p. 289-310), and index.;

505 0 a| Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Dance musicx| Social aspectsz| Ghana.=| ^A34842;

650 0 a| Highlife (Music)z| Ghanax| History and criticism.=| ^A863209;

651 0 a| Ghanax| Social conditions.=| ^A42038;

655 0 a| Electronic books.=| ^A491897;

830 0 a| African expressive cultures.=| ^A560153;

830 0 a| Ethnomusicology multimedia.=| ^A1121749;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=816883;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 4968847;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4968847-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 12/3/2018x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4968847-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 12/3/2018x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4968847-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 12/3/2018x| EBOOKz| JERESOURCE;

Highlife Saturday night popular music and social change in urban Ghana / Nate Plageman.

Author/creator	Plageman, Nate, 1978-
Format	Electronic
Publication Info	Bloomington : Indiana University Press,
Description	xvi, 318 p. : ill., maps ; 23 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Dance music--Social aspects. --Ghana. Highlife (Music)--Ghana. --History and criticism. Ghana--Social conditions.

Series	African expressive cultures Ethnomusicology multimedia African expressive cultures. ^A560153 Ethnomusicology multimedia. ^A1121749
Contents	Introduction: the historical importance of urban Ghana's Saturday nights -- Popular music, political authority, and social possibilities in the southern Gold Coast, 1890-1940 -- The making of a middle class: urban social clubs and the evolution of highlife music, 1915-1940 -- The friction on the floor: negotiating nightlife in Accra, 1940-1960 -- "The highlife was born in Ghana": politics, culture, and the making of a national music, 1950-1965 -- "We were the ones who composed the songs": the promises and pitfalls of being a bandsman, 1945-1970.
Bibliography note	Includes discography (p. 279-287), bibliographical references (p. 289-310), and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2012026045
ISBN	9780253007254 (cloth : alk. paper)
ISBN	9780253007292 (pbk. : alk. paper)
ISBN	9780253007339 (e-book)

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Highlife Saturday night popular music and social change in urban Ghana / Nate Plageman.

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