Darwin becomes art aesthetic vision in the wake of Darwin: 1870-1920 / Hugh Ridley.

Author/creator Ridley, Hugh
Format Electronic
Publication InfoAmsterdam : Rodopi, 2014.
Description237 pages ; 22 cm.
Supplemental ContentFull text available from Ebook Central - Academic Complete
Subjects

SeriesInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 0929-6999 ; 175
Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft 175. 0929-6999 ^A474522
Contents Alexander von Humboldt sets the theme -- Darwin and the German public -- Naturalism in nature -- Naturalism and the objective eye: bird portraiture between art and photography -- Objectivizing feeling: the novel, acting and Darwin's The expression of the emotions in man and animals.
Abstract "This book analyses Darwin's influence on art and the effect of his science on experiences of beauty. The first chapter discusses Darwin's great forerunner, Alexander von Humboldt, and his contribution to thinking about the relationship between science and beauty. The second examines the public reception of Darwin in Germany, focusing on the German Naturalists and the important scientific controversies which Darwin's idea provoked. It shows the political use of science (Häckel and Virchow) and foreshadows present-day debates between Darwinism and Creationism, science and an idealized view of nature."--Back cover.
Bibliography noteIncludes bibliographical references (pages 215-229) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2015451113
ISBN9789042038479 (pbk.)
ISBN9042038470 (pbk.)
ISBN(online)

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