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010 a| 2003004236;

020 a| 9781583919521 (pbk.);

020 a| 158391952X (pbk.);

020 a| 9781583919514 (hbk.);

020 a| 1583919511 (hbk.);

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060 00 a| W1b| NE455F v.44 2003;

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082 00 a| 791.43/75/0192| 21;

245 04 a| The couch and the silver screenh| [electronic resource] :b| psychoanalytic reflections on European cinema /c| edited by Andrea Sabbadini ; [with a foreword by Laura Mulvey].;

260 a| Hove ;a| New York :b| Brunner-Routledge,;

300 a| xx, 258 p. :b| ill. ;c| 24 cm.;

490 1 a| New library of psychoanalysis ;v| 44;

500 a| "Published in association with the Institute of Psychoanalysis, London"--Cover.;

504 a| Includes bibliographical references and indexes.;

505 00 t| Foreword /r| Laura Mulvey --t| Introduction /r| Andrea Sabbadini --g| SET AND STAGE --t| Inner and outer worlds of the filmmaker's temporary social structure /r| Bernardo Bertolucci,r| Fiona Shaw,r| Chris Mawson --t| One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis /r| Ian Christie,r| Juliet Stevenson,r| Helen Taylor Robinson --t| WORKING THROUGH TRAUMA --t| Sons and fathers: a room of their own - Nanni Moretti's The son's room (2001) /r| Nanni Moretti ... [et al.] --t| Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) /r| Jed Sekoff --t| Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) /r| Annegret Mahler-Bungers --t| Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation /r| Liliana Pedrón de Martín --t| István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma /r| Diana Diamond --g| HORROR PERSPECTIVES --t| Notes on the relevance of psychoanalytic theory to Euro-horror cinema /r| Steven Jay Schneider --t| Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development /r| Donald Campbell --t| Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) /r| Candy Aubry --t| Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) /r| Michael Grant --g| DOCUMENTING INTERNAL WORLDS --t| Narratives and documentaries: an encounter with Michael Apted and his films /r| Michael Apted,r| Helen Taylor Robinson --t| Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) /r| Elizabeth Cowie --t| Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) /r| Ljiljana Filipović --t| Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) /r| Emanuel Berman,r| Timna Rosenheimer,r| Michal Aviad --t| Filming psychoanalysis: feature or documentary? Two contributions /r| Hugh Brody,r| Michael Brearley;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 12 a| Motion Pictures0| https://id.nlm.nih.gov/mesh/D009040=| ^A931365;

650 12 a| Psychoanalytic Interpretation0| https://id.nlm.nih.gov/mesh/D011573=| ^A918082;

651 2 a| Europe0| https://id.nlm.nih.gov/mesh/D005060=| ^A466929;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Sabbadini, Andrea.=| ^A1338829;

710 2 a| Institute of Psycho-analysis (Great Britain)=| ^A18621;

830 0 a| New library of psychoanalysisv| 44.=| ^A149232;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=242142;

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The couch and the silver screen psychoanalytic reflections on European cinema / edited by Andrea Sabbadini ; [with a foreword by Laura Mulvey].

Other author	Sabbadini, Andrea.
Other author	Institute of Psycho-analysis (Great Britain)
Format	Electronic
Publication Info	Hove ; New York : Brunner-Routledge,
Description	xx, 258 p. : ill. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Motion Pictures Psychoanalytic Interpretation Europe

Series	New library of psychoanalysis ; 44 New library of psychoanalysis 44. ^A149232
Contents	Foreword / Laura Mulvey -- Introduction / Andrea Sabbadini -- SET AND STAGE -- Inner and outer worlds of the filmmaker's temporary social structure / Bernardo Bertolucci, Fiona Shaw, Chris Mawson -- One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie, Juliet Stevenson, Helen Taylor Robinson -- WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own - Nanni Moretti's The son's room (2001) / Nanni Moretti ... [et al.] -- Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Jed Sekoff -- Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Annegret Mahler-Bungers -- Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- HORROR PERSPECTIVES -- Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Steven Jay Schneider -- Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Donald Campbell -- Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Candy Aubry -- Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Michael Grant -- DOCUMENTING INTERNAL WORLDS -- Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted, Helen Taylor Robinson -- Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Elizabeth Cowie -- Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Ljiljana Filipović -- Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Emanuel Berman, Timna Rosenheimer, Michal Aviad -- Filming psychoanalysis: feature or documentary? Two contributions / Hugh Brody, Michael Brearley
General note	"Published in association with the Institute of Psychoanalysis, London"--Cover.
Bibliography note	Includes bibliographical references and indexes.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2003004236
ISBN	9781583919521 (pbk.)
ISBN	158391952X (pbk.)
ISBN	9781583919514 (hbk.)
ISBN	1583919511 (hbk.)

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	Electronic Resources	Access Content Online	✔ Available

The couch and the silver screen psychoanalytic reflections on European cinema / edited by Andrea Sabbadini ; [with a foreword by Laura Mulvey].

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