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001 on1037951963;

003 OCoLC;

005 20180917125803.0;

006 m o d ;

007 cr unu||||||||;

008 180529s2018 ncua obm 000 0 eng d;

035 a| (Sirsi) o1037951963;

035 a| (OCoLC)1037951963;

049 a| EREE;

090 a| N8224.M45;

100 1 a| Clark, Rachel Hanna,e| author.?| UNAUTHORIZED;

245 10 a| Vestige /c| by Rachel Hanna Clark.;

264 1 a| [Greenville, N.C.] :b| [East Carolina University],c| 2018.;

300 a| 74 pages :b| color illustrations;

336 a| textb| txt2| rdacontent;

337 a| computerb| c2| rdamedia;

338 a| online resourceb| cr2| rdacarrier;

347 a| text fileb| PDFc| 17.27 MB2| rda;

538 a| System requirements: Adobe Reader.;

538 a| Mode of access: World Wide Web.;

502 b| M.F.A.c| East Carolina Universityd| 2018;

500 a| Presented to the faculty of the School of Art and Design;

500 a| Advisor: Seo Eo;

500 a| Title from PDF t.p. (viewed September 7, 2018).;

520 3 a| Our memories are, in essence, the summation of who we are. With age, our memory starts to slip away. The disintegrating effect of time is slowly eroding our stored experiences. This document explores the means and methods in which I explore the preservation of memory through use of place material. For the past few years I have struggled with the loss of memory, place, and loved ones. I wanted to find a way in which to preserve my own memory and experiences as a tangible object. In order the create these "memory- objects" I explored visual, auditory, and tactile cues that coalesce to become a means of triggering a distinct memory. I am taking place-material from the geographical location in which a specific memory that I wish to preserve was formed. I am then using the place-material to create a permanent memory-trigger. The process and preservation of those memories as tangible objects combine with specific triggers to create an object that is linked to a particular memory; which I refer to as "vestigial memory-objects". Through this process of locating and preserving, I have recovered memories that had faded into the recesses of my consciousness. In summation, I explore the means in which my process recovers memory and discuss how my work acts as a physical catalog of the experiences I wish to preserve.;

504 a| Includes bibliographical references.;

650 0 a| Memory in art.=| ^A512677;

650 0 a| Potteryx| Themes, motives.=| ^A167028;

653 a| Laser etcher;

653 a| Oxide Fusion Printing;

653 a| wild clay;

653 a| ceramics;

653 a| new technology;

653 a| Northwestern Pennsylvania;

700 1 a| Eo, Seo,e| degree supervisor.?| UNAUTHORIZED;

710 2 a| East Carolina University.b| School of Art and Design.?| UNAUTHORIZED;

856 40 z| Access via ScholarShipu| http://hdl.handle.net/10342/6733;

949 o| wjh;

994 a| C0b| ERE;

596 a| 1 4;

998 a| 4867567;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4867567-1001l| JNETm| JOYNERr| Ys| Yt| JNE3ETDu| 5/31/2018x| ETDz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4867567-2001l| HSLELECm| HSLr| Ys| Yt| HEETDu| 5/31/2018x| ETDz| HERESOURCE;

Vestige / by Rachel Hanna Clark.

Author/creator	Clark, Rachel Hanna author.
Other author	Eo, Seo, degree supervisor.
Other author	East Carolina University. School of Art and Design.
Format	Theses and dissertations
Publication	[Greenville, N.C.] : [East Carolina University], 2018.
Description	74 pages : color illustrations
Supplemental Content	Access via ScholarShip
Subjects	Memory in art. Pottery--Themes, motives.

Summary	Our memories are, in essence, the summation of who we are. With age, our memory starts to slip away. The disintegrating effect of time is slowly eroding our stored experiences. This document explores the means and methods in which I explore the preservation of memory through use of place material. For the past few years I have struggled with the loss of memory, place, and loved ones. I wanted to find a way in which to preserve my own memory and experiences as a tangible object. In order the create these "memory- objects" I explored visual, auditory, and tactile cues that coalesce to become a means of triggering a distinct memory. I am taking place-material from the geographical location in which a specific memory that I wish to preserve was formed. I am then using the place-material to create a permanent memory-trigger. The process and preservation of those memories as tangible objects combine with specific triggers to create an object that is linked to a particular memory; which I refer to as "vestigial memory-objects". Through this process of locating and preserving, I have recovered memories that had faded into the recesses of my consciousness. In summation, I explore the means in which my process recovers memory and discuss how my work acts as a physical catalog of the experiences I wish to preserve.
General note	Presented to the faculty of the School of Art and Design
General note	Advisor: Seo Eo
General note	Title from PDF t.p. (viewed September 7, 2018).
Dissertation note	M.F.A. East Carolina University 2018
Bibliography note	Includes bibliographical references.
Technical details	System requirements: Adobe Reader.
Technical details	Mode of access: World Wide Web.

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Vestige / by Rachel Hanna Clark.

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