Tools

LEADER 02503cam a2200469Ii 4500

003 OCoLC;

005 20171107141856.1;

008 170602t20172017enka b 001 0 eng d;

020 a| 9781780679464;

020 a| 1780679467q| paperback;

035 a| 99976559071;

035 a| (OCoLC)989766755;

050 14 a| N72.7b| .S56 2017;

082 04 a| 701.82| 23;

100 1 a| Shore, Robertq| (Robert M.),e| author.?| UNAUTHORIZED;

245 10 a| Beg, steal and borrow :b| artists against originality /!cRobert Shore.;

246 14 a| Beg, steal & borrow;

246 30 a| Artists against originality;

264 1 a| London, United Kingdom :b| Laurence King Publishing,c| 2017.;

300 a| 192 pages :b| illustrations (chiefly color) ;c| 19 cm.;

336 a| textb| txt2| rdacontent;

336 a| still imageb| sti2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

490 1 a| An Elephant Book;

504 a| Includes bibliographical references and index.;

520 8 a| Art is theft,' Picasso once proclaimed. The wily old Spaniard was being provocative - he often equated theft to what could more benignly be called influence. But increasingly much of the best and, even, most original art involves an act or two of unequivocal, overt theft - an act of simple copy and paste. This book looks at modern-day art theft from all angles: art-historical (tracing the lineage from Duchamp to Richard Prince), legal (looking at recent key copyright cases), cultural (drawing links to literary mash-ups and musical sampling), educational (Kenneth Goldsmith's famous 'Uncreativity' classes) and, of course, in terms of current art practice. It will look at the practices of major artists working across a variety of media.;

650 0 a| Imitation in art.=| ^A103821;

650 0 a| Appropriation (Art)=| ^A383204;

650 0 a| Originality in art.=| ^A166430;

650 0 a| Artx| Philosophy.=| ^A18547;

650 7 a| Artx| Philosophy.2| fast0| (OCoLC)fst00815307;

650 7 a| Imitation in art.2| fast0| (OCoLC)fst00967688;

650 7 a| Originality in art.2| fast0| (OCoLC)fst01048192;

830 0 a| Elephant book (Series : London, England)?| UNAUTHORIZED;

960 o| 1s| 19.99t| Joyner48u| JILLz| USD;

982 a| 99976559071;

998 a| 4845335;

596 a| 1;

999 a| N72.7 .S56 2017w| LCc| 1i| 30372017255651d| 9/26/2018e| 8/28/2018l| JGESm| JOYNERn| 1r| Ys| Yt| JGESBKu| 7/10/2018x| BOOKz| JSTACKSo| .STAFF. jwjh;

Beg, steal and borrow : artists against originality /!cRobert Shore.

Author/creator	Shore, Robert author.
Format	Book
Publication	London, United Kingdom : Laurence King Publishing, 2017.
Copyright Date	©2017
Description	192 pages : illustrations (chiefly color) ; 19 cm.
Subjects	Imitation in art. Appropriation (Art) Originality in art. Art--Philosophy.

Cover title	Beg, steal & borrow
Portion of title	Artists against originality
Series	An Elephant Book Elephant book (Series : London, England) UNAUTHORIZED
Summary	Art is theft,' Picasso once proclaimed. The wily old Spaniard was being provocative - he often equated theft to what could more benignly be called influence. But increasingly much of the best and, even, most original art involves an act or two of unequivocal, overt theft - an act of simple copy and paste. This book looks at modern-day art theft from all angles: art-historical (tracing the lineage from Duchamp to Richard Prince), legal (looking at recent key copyright cases), cultural (drawing links to literary mash-ups and musical sampling), educational (Kenneth Goldsmith's famous 'Uncreativity' classes) and, of course, in terms of current art practice. It will look at the practices of major artists working across a variety of media.
Bibliography note	Includes bibliographical references and index.
ISBN	9781780679464
ISBN	1780679467 paperback

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Joyner	General Stacks	N72.7 .S56 2017	✔ Available	Place Hold

Beg, steal and borrow : artists against originality /!cRobert Shore.

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