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LEADER 03034cam a2200373 a 4500

001 ocm27187457;

003 OCoLC;

005 20141212101624.0;

008 921216s1993 nyug b 001 0 eng ;

010 a| 92042513;

020 a| 0028706757 :c| $40.00;

035 a| (Sirsi) o27187457;

035 a| (OCoLC)27187457;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML275b| .D38 1993;

082 00 a| 780/.943/090342| 20;

100 1 a| Daverio, John.=| ^A322282;

245 10 a| Nineteenth-century music and the German romantic ideology /c| John Daverio.;

246 3 a| 19th-century music and the German romantic ideology;

300 a| xiii, 274 pages :b| music ;c| 25 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 229-268) and index.;

505 00 t| Romantic ideas and romantic music --t| Schumann's opus 17 fantasie and the Arabeske.t| A monument to Beethoven ;t| New forms ;t| Leaden arabesques in the Nuremberg style ;t| Ruins --t| Schumann's systems of musical fragments and Witz.t| Schumann and the incomprehensibility topos ;t| Schumann and the system of musical fragments: precedents and typology ;t| Schumann and the system of musical fragments: categories ;t| "Zusammenhangende abenteuerliche Geschichten" ;t| Schumann the allegorizer --t| Euryanthe and the artwork as critique.t| A challenge for the historian of reception ;t| Euryanthe and the Gesamtkunstwerk idea ;t| Euryanthe in the wilderness --t| Brahms and the romantic imperative.t| "All the classical genres are now ridiculous in their rigid purity" ;t| "One might just aw well say that there are infinitely many poetic genres, or that there is only one progressive genre" ;t| "Up to now, modern poetry has seen no new genres, yet every classical work creates its own genre" --t| Wagner's Ring and Universalpoesie.t| Friedrich Schlegel's romantic manifesto and Wagnerian music drama ;t| Reflection, the romantic artwork and The Ring ;t| The Ring as an epic portrayal of interiority ;t| The Ring as memory preserved --t| Tristan, Parsifal, and the "New" organicism.t| The new mythology and the new organicism ;t| Tristan and the art of transition ;t| Parsifal and rhetorical dialectics --t| Richard Strauss's Also sprach Zarathustra and the "Union" of poetry and philosophy.t| Poetry, philosophy, and program music ;t| "Frei nach Friedrich Nietzsche" ;t| Finde siecle form.;

650 0 a| Romanticism in music.=| ^A23242;

740 0 a| 19th-century music and the German romantic ideology.;

596 a| 3;

998 a| 482768;

999 a| ML275 .D38 1993w| LCc| 1i| 30372007789446d| 6/16/2016e| 4/1/2016f| 3/11/2025g| 4l| MCSm| JMUSICn| 6r| Ys| Yt| MCSSBKu| 12/6/1993x| BOOKz| MCIRCo| .STAFF. 0;

Nineteenth-century music and the German romantic ideology / John Daverio.

Author/creator	Daverio, John
Format	Book
Publication Info	New York : Schirmer Books ; Toronto : Maxwell Macmillan Canada ; New York : Maxwell Macmillan International, ©1993.
Description	xiii, 274 pages : music ; 25 cm
Subjects	Music--Germany. --19th century. --History and criticism. Music--Germany. --19th century. --Philosophy and aesthetics. Romanticism in music.

Variant title	19th-century music and the German romantic ideology
Contents	Romantic ideas and romantic music -- Schumann's opus 17 fantasie and the Arabeske. A monument to Beethoven ; New forms ; Leaden arabesques in the Nuremberg style ; Ruins -- Schumann's systems of musical fragments and Witz. Schumann and the incomprehensibility topos ; Schumann and the system of musical fragments: precedents and typology ; Schumann and the system of musical fragments: categories ; "Zusammenhangende abenteuerliche Geschichten" ; Schumann the allegorizer -- Euryanthe and the artwork as critique. A challenge for the historian of reception ; Euryanthe and the Gesamtkunstwerk idea ; Euryanthe in the wilderness -- Brahms and the romantic imperative. "All the classical genres are now ridiculous in their rigid purity" ; "One might just aw well say that there are infinitely many poetic genres, or that there is only one progressive genre" ; "Up to now, modern poetry has seen no new genres, yet every classical work creates its own genre" -- Wagner's Ring and Universalpoesie. Friedrich Schlegel's romantic manifesto and Wagnerian music drama ; Reflection, the romantic artwork and The Ring ; The Ring as an epic portrayal of interiority ; The Ring as memory preserved -- Tristan, Parsifal, and the "New" organicism. The new mythology and the new organicism ; Tristan and the art of transition ; Parsifal and rhetorical dialectics -- Richard Strauss's Also sprach Zarathustra and the "Union" of poetry and philosophy. Poetry, philosophy, and program music ; "Frei nach Friedrich Nietzsche" ; Finde siecle form.
Bibliography note	Includes bibliographical references (pages 229-268) and index.
Other title	19th-century music and the German romantic ideology.
LCCN	92042513
ISBN	0028706757 :

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Nineteenth-century music and the German romantic ideology / John Daverio.

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