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010 z| 2009004565;

020 a| 9780472024490;

020 a| 0472024493;

020 z| 9780472070602 (cloth : alk. paper);

020 z| 0472070606 (cloth : alk. paper);

020 z| 9780472050604 (pbk. : alk. paper);

020 z| 0472050605 (pbk. : alk. paper);

035 a| (Sirsi) a4824704;

035 a| (OCoLC)705944500;

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043 a| n-us---;

050 00 a| KF4757b| .S38 2009;

082 00 a| 346.7304/822| 22;

100 1 a| Schur, Richard L.=| ^A1352010;

245 10 a| Parodies of Ownership :b| Hip-Hop Aesthetics and Intellectual Property Law /c| Richard L. Schur.;

300 a| 1 online resource (xiv, 236 pages );

336 a| textb| txt2| rdacontent;

337 a| computerb| c2| rdamedia;

338 a| online resourceb| cr2| rdacarrier;

504 a| Includes bibliographical references (p. 209-226) and index.;

505 0 a| From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.;

588 a| Description based on print version record.;

650 0 a| African Americans in popular culture.=| ^A387199;

650 0 a| Hip-hopx| Influence.=| ^A708625;

650 0 a| Intellectual propertyz| United States.=| ^A204575;

650 0 a| African Americansx| Legal status, laws, etc.=| ^A45564;

655 7 a| Electronic books.2| local;

710 2 a| Project Muse.=| ^A723187;

830 0 a| Book collections on Project MUSE.?| UNAUTHORIZED;

856 40 z| Full text available: u| https://muse.jhu.edu/book/185/;

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945 a| Project MUSE - Archive Complete Foundation;

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596 a| 1;

998 a| 4824704;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4824704-1001l| JNETm| JOYNERr| Ys| Yt| JNEPMOABKu| 3/6/2018x| EBOOKz| JERESOURCEo| .STAFF. jjlm;

Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur.

Author/creator	Schur, Richard L.
Other author	Project Muse.
Format	Electronic
Publication Info	Ann Arbor : University of Michigan Press : University of Michigan Library, ©2009. (Baltimore, Md. : Project MUSE, 2015)
Description	1 online resource (xiv, 236 pages )
Supplemental Content	Full text available:
Subjects	African Americans in popular culture. Hip-hop--Influence. Intellectual property--United States. African Americans--Legal status, laws, etc.

Series	Book collections on Project MUSE. UNAUTHORIZED
Contents	From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
Bibliography note	Includes bibliographical references (p. 209-226) and index.
Source of description	Description based on print version record.
Genre/form	Electronic books.
LCCN	2009004565
ISBN	9780472024490
ISBN	0472024493

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Parodies of Ownership : Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur.

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