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010 a| 2015046899;

020 a| 9780253020871 (cl : alk. paper);

020 a| 9780253020918 (pb : alk. paper);

035 a| (WaSeSS)ssj0001630847;

040 a| DLCb| engc| DLCd| WaSeSS;

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049 a| EREEa| NEHH;

050 00 a| PN3352.P7b| F79 2016;

082 00 a| 808.301/92| 23;

100 1 a| Fox, Alistair.=| ^A141300;

245 10 a| Speaking picturesh| [electronic resource] :b| neuropsychoanalysis and authorship in film and literature /c| Alistair Fox.;

260 a| Bloomington ;a| Indianapolis :b| Indiana University Press,c| 2016.;

300 a| xiv, 292 pages ;c| 23 cm;

504 a| Includes bibliographical references (pages 271-280) and index.;

505 0 a| Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Fictionx| Psychological aspects.=| ^A1004731;

650 0 a| Authorshipx| Psychological aspects.=| ^A202271;

650 0 a| Psychology and literature.=| ^A95332;

650 0 a| Creation (Literary, artistic, etc.)=| ^A8980;

650 0 a| Motion picturesx| Psychological aspects.=| ^A23851;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from JSTOR eBooksu| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fwww.jstor.org%2Fstable%2F10.2307%2Fj.ctt1b7x4rc;

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Speaking pictures neuropsychoanalysis and authorship in film and literature / Alistair Fox.

Author/creator	Fox, Alistair
Format	Electronic
Publication Info	Bloomington ; Indianapolis : Indiana University Press, 2016.
Description	xiv, 292 pages ; 23 cm
Supplemental Content	Full text available from JSTOR eBooks
Subjects	Fiction--Psychological aspects. Authorship--Psychological aspects. Psychology and literature. Creation (Literary, artistic, etc.) Motion pictures--Psychological aspects.

Contents	Introduction -- Changing Configurations in Theories of Fictive Representation -- Why Does Fictive Representation Exist? -- The Wellsprings of Fictive Creativity -- The Materials of Fictive Invention -- The Informing Role of Fantasy -- The Shaping of Fictive Scenarios by the Author: Motivations, Strategies, and Outcomes -- The Exploitation of Generic Templates and Intertexts as Vehicles for Affect Regulation -- Theories of Reception in the Twentieth and Twenty-First Centuries -- A Neuropsychoanalytic Theory of Reception -- Intersubjective Attunement, Filiation, and the Re-creative Process: Jules and Jim- from Henri-Pierre Roche to Francois Truffaut -- The Conversion of Autobiographical Emotion into Symbolic Figuration: William Shakespeare's Hamlet -- Tracking a Personal Myth through an Oeuvre: The Films of Francois Ozon -- Conclusion.
Bibliography note	Includes bibliographical references (pages 271-280) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2015046899
ISBN	9780253020871 (cl : alk. paper)
ISBN	9780253020918 (pb : alk. paper)

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Speaking pictures neuropsychoanalysis and authorship in film and literature / Alistair Fox.

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