ECU Libraries Catalog

Music into fiction : composers writing, compositions imitated / Theodore Ziolkowski.

Author/creator Ziolkowski, Theodore
Format Electronic and Book
Publication InfoRochester, New York : Camden House, 2017.
Descriptionxi, 248 pages : illustrations ; 24 cm.
Supplemental Content Full text available from JSTOR eBooks
Series Studies in German Literature, Linguistics, and Culture
Studies in German literature, linguistics, and culture. ^A235750
Contents Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion.
Abstract "This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E. T. A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers."-- Provided by publisher
Bibliography noteIncludes bibliographical references (pages 227-242) and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2016047441
ISBN9781571139733 hardcover alkaline paper
ISBN1571139737 (hardcover : alk. paper)

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