| Contents |
Bernard Malamud, person and writer / by Paul Malamud -- Mediterranean / by Paul Malamud -- Introduction: "Moved by a Memory": Bernard Malamud's literary landscape / Victoria Aarons -- The beard makes the man: Bernard Malamud's A New Life / Leah Garrett -- "I shit my death"; from the provedential to the excremental in The Fixer / Holli Levitsky -- The jew as vampire in Bernard Malamud's The Fixer / Andrew M. Gordon -- Malamud's The Tenants and the problem of Ralph Ellison's second novel / Timothy Parrish -- Unbound and un-bodied: reading race in Malamud's The Tenants / Jessica Lang -- Midrash memory, and "Miracles or Near Miracles": Bernard Malamud's all-too-human project / Victoria Aarons -- Introduction: encountering Bernard Malamud through an I-Thou relationship / Gustavo Sánchez Canales -- Rethinking the discourse of suffering in Bernard Malamud's fiction / Pilar Alonso -- "What's in a name?": aptronyms and archetypes in Bernard Malamud's The Assistant and The Fixer / Gustavo Sánchez Canales -- Fixing Bernard Malamud's The Fixer through translation: from El Hombre de Kiev (1967) to El Reparador (2011) / Martín Urdiales Shaw -- Dostoevsky, Lawrence, Malamud: Malamud's heroes, facing the twin rejection of identity and sensuality / Rémi Astruc, translated by Alan Astro -- Writing on the edge of doom: theological reflections on Bernard Malamud's God's Grace / Till Kinzel -- Seeking the man behind the text or a biographical approach to Bernard Malamud's short stories / Emilio Cañadas Rodríguez -- Malamud's short fiction : angels and specters / Félix Martín Guttiérrez -- Bernard Malamud's and John Updike's art stories: the act of creation in "Still Life" and "Leaves" / Aristi Trendel -- Arthur Fidelman's aesthetic adventures and Malamud's poetics of creativity / Theodora Tsimpouki. |
