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020 a| 9783110378955 (hardcover : alk. paper);

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100 1 a| Horn, Mirjam.?| UNAUTHORIZED;

245 10 a| Postmodern plagiarismsh| [electronic resource] :b| cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) /c| Mirjam Horn.;

260 a| Berlin ;a| Boston :b| De Gruyter Mouton,c| 2015.;

300 a| vi, 286 pages :b| color illustrations ;c| 24 cm.;

490 0 a| Buchreiha der ANGELIA/ANGLIA Book Series ;v| volume 49;

504 a| Includes bibliographical references (pages 248-282) and index.;

505 0 a| Introducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| American literaturey| 20th centuryx| History and criticism.=| ^A23018;

650 0 a| American literaturey| 21st centuryx| History and criticism.=| ^A713191;

650 0 a| Imitation in literature.=| ^A128642;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=2073976;

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Postmodern plagiarisms cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) / Mirjam Horn.

Author/creator	Horn, Mirjam
Format	Electronic
Publication Info	Berlin ; Boston : De Gruyter Mouton, 2015.
Description	vi, 286 pages : color illustrations ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	American literature--20th century. --History and criticism. American literature--21st century. --History and criticism. Plagiarism--United States. --History. --20th century. Plagiarism--United States. --History. --21st century. Imitation in literature.

Series	Buchreiha der ANGELIA/ANGLIA Book Series ; volume 49
Contents	Introducing plagiarism beyond illegitimate plunder -- Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.
Bibliography note	Includes bibliographical references (pages 248-282) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2015012562
ISBN	9783110378955 (hardcover : alk. paper)

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Postmodern plagiarisms cultural agenda and aesthetic strategies of appropriation in US-American literature (1970-2010) / Mirjam Horn.

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