| Contents |
The keyed bugle in Europe. The instrument, acoustic properties, a keyed bugle by any other name, precursors of the keyed bugle, Joseph Haliday and the invention of the keyed bugle, from Waterloo to St. Petersburg, the keyed bugle in France and Belgium, Paris opera, French military, later English use of the keyed bugle, the keyed bugle in Prussia and Germany, calvary bands, Jager bands, Wilhelm Wieprecht, Berlin Court Chapel Orchestra, German instrument makers, Austria, Spain, Italy -- The keyed bugle in the United States. Richard Willis & the West Point Band, Francis Johnson, circus, William Wood Bayley, import trade, American keyed bugle makers, James Keat and the Graves & Co., E. G. Wright, manuscripts and early published music, New England bands, second generation of New England band leaders, Anton Philip Heinrich's concerto for the keyed bugle, Edward "Ned" Kendall, Aaron K. Litch and the Fitchburg cornet band, Thomas G. Canham, decline of the keyed bugle -- The twentieth-century revival. Conditions of revival, collectors and their influence, Joseph Wheeler, Judith Harrington, first recordings, keyed brass conferences, London ophicleide ensemble, Miss Lucy Long social orchestra and Quick Step Society, Chestnut Brass Company, reproduction instruments, discography -- Methods -- Literature: an annotated listing. Irish, English, French, Prussian, German, Viennese, American -- Performance practice -- Performers -- Keyed bugle makers and sellers. |
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