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010 a| 2009032996;

015 a| GBA9A36352| bnb;

016 7 a| 0154017122| Uk;

020 a| 9781845456054 (hardback : alk. paper);

020 a| 184545605X (hardback : alk. paper);

035 a| (WaSeSS)ssj0000435554;

043 a| e-gx---;

049 a| EREEa| NEHH;

050 00 a| PN1993.5.G3b| B275 2009;

082 00 a| 791.430943/090442| 22;

100 1 a| Baer, Hester.=| ^A466408;

245 10 a| Dismantling the dream factoryh| [electronic resource] :b| gender, German cinema, and the postwar quest for a new film language /c| Hester Baer.;

260 a| New York :b| Berghahn Books,;

300 a| xiii, 304 p. :b| ill. ;c| 24 cm.;

490 0 a| Film Europa ;v| v. 9;

490 0 a| Berghahn on film;

504 a| Includes bibliographical references and index.;

505 0 a| Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

650 0 a| Motion picturesx| Social aspectsz| Germany.=| ^A45929;

650 0 a| Motion pictures for womenz| Germany.=| ^A194656;

650 0 a| Motion picture audiencesz| Germany.=| ^A236260;

650 0 a| Women in motion pictures.=| ^A54881;

655 0 a| Electronic books.=| ^A491897;

710 2 a| American Council of Learned Societies.=| ^A23031;

856 40 z| Full text available from ACLS Humanities E-Booku| https://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Fhdl.handle.net%2F2027%2Fheb08598.0001.001;

947 a| (OCoLC)ocn316825701;

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Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language / Hester Baer.

Author/creator	Baer, Hester
Other author	American Council of Learned Societies.
Format	Electronic
Publication Info	New York : Berghahn Books,
Description	xiii, 304 p. : ill. ; 24 cm.
Supplemental Content	Full text available from ACLS Humanities E-Book
Subjects	Motion pictures--Germany. --History. --20th century. Motion pictures--Social aspects. --Germany. Motion pictures for women--Germany. Motion picture audiences--Germany. Women in motion pictures.

Series	Film Europa ; v. 9 Berghahn on film
Contents	Relegitimating cinema: female spectators and the problem of representation -- How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946) -- When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948) -- Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film -- Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950) -- Art on film: representing gender and sexuality in popular cinema -- "Through her eyes": regendering representation in Willi Forst's The sinner (1951) -- Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955) -- Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957) -- Towards the new wave: gender and the critique of popular cinema -- Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957) -- Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958) -- Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film -- Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
Bibliography note	Includes bibliographical references and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2009032996
ISBN	9781845456054 (hardback : alk. paper)
ISBN	184545605X (hardback : alk. paper)

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Dismantling the dream factory gender, German cinema, and the postwar quest for a new film language / Hester Baer.

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