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010 a| 2009017774;

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016 7 a| 0155119842| Uk;

020 a| 9780816665297 (hc : alk. paper);

020 a| 081666529X (hc : alk. paper);

020 a| 9780816665303 (pbk. : alk. paper);

020 a| 0816665303 (pbk. : alk. paper);

035 a| (WaSeSS)ssj0000416186;

049 a| EREEa| NEHH;

050 00 a| N6853.D8b| J82 2010;

082 00 a| 709.22| 22;

100 1 a| Judovitz, Dalia.=| ^A221163;

245 10 a| Drawing on arth| [electronic resource] :b| Duchamp and company /c| Dalia Judovitz.;

246 30 a| Duchamp and company;

260 a| Minneapolis :b| University of Minnesota Press,;

300 a| xxx, 285 p. :b| ill. ;c| 23 cm.;

504 a| Includes bibliographical references (p. 237-270) and index.;

505 0 a| Introduction. Drawing on art and artists -- 1. Critiques of the ocular : Duchamp and Paris Dada -- 2. The spectacle of film : Duchamp and Dada experiments -- 3. Endgame strategies : art, chess, and creativity -- 4. Pointing fingers : Dali's homage to Duchamp -- 5. The apparatus of spectatorship : Duchamp, Matta-Clark, and Wilson -- Concluding remarks. Mirrorical returns.;

506 a| Available only to authorized users.;

520 a| This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.;

538 a| Mode of access: World Wide Web;

600 10 a| Duchamp, Marcel,d| 1887-1968x| Criticism and interpretation.=| ^A52837;

600 10 a| Duchamp, Marcel,d| 1887-1968x| Friends and associates.=| ^A52837;

650 0 a| Artx| Philosophy.=| ^A18547;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Duchamp, Marcel,d| 1887-1968.=| ^A52837;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=592806;

947 a| (OCoLC)ocn320131907;

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Drawing on art Duchamp and company / Dalia Judovitz.

Author/creator	Judovitz, Dalia
Other author	Duchamp, Marcel, 1887-1968.
Format	Electronic
Publication Info	Minneapolis : University of Minnesota Press,
Description	xxx, 285 p. : ill. ; 23 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Duchamp, Marcel, 1887-1968--Criticism and interpretation. Duchamp, Marcel, 1887-1968--Friends and associates. Art--Philosophy.

Portion of title	Duchamp and company
Contents	Introduction. Drawing on art and artists -- 1. Critiques of the ocular : Duchamp and Paris Dada -- 2. The spectacle of film : Duchamp and Dada experiments -- 3. Endgame strategies : art, chess, and creativity -- 4. Pointing fingers : Dali's homage to Duchamp -- 5. The apparatus of spectatorship : Duchamp, Matta-Clark, and Wilson -- Concluding remarks. Mirrorical returns.
Abstract	This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fuel and springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
Bibliography note	Includes bibliographical references (p. 237-270) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2009017774
ISBN	9780816665297 (hc : alk. paper)
ISBN	081666529X (hc : alk. paper)
ISBN	9780816665303 (pbk. : alk. paper)
ISBN	0816665303 (pbk. : alk. paper)

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Drawing on art Duchamp and company / Dalia Judovitz.

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