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020 a| 9780191620720;

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035 a| (Sirsi) o778338383;

035 a| (OCoLC)778338383;

049 a| EREE;

050 4 a| ML3830 .H195 2009eb;

082 04 a| 781.11;

100 1 a| Juslin, Patrik N.=| ^A505297;

245 10 a| Handbook of Music and Emotion :b| Theory, Research, Applications.;

260 a| Oxford :b| OUP Oxford,c| 2009.;

300 a| 1 online resource (2,021 pages);

336 a| textb| txt2| rdacontent;

337 a| computerb| c2| rdamedia;

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505 0 a| Cover Page; Title Page; Copyright Page; Foreword; Acknowledgements; Contents; List of contributors; Part I Overture; 1. Introduction: aims, organization, and terminology: Patrik N. Juslin and John A. Sloboda; Part II Multi-Disciplinary Perspectives; 2. Emotions expressed and aroused by music: philosophical perspectives: Stephen Davies; 3. Emotion in culture and history: perspectives from musicology: Nicholas Cook and Nicola Dibben; 4. At the interface between the inner and outer world: psychological perspectives: John A. Sloboda and Patrik N. Juslin.;

505 8 a| 5. Towards a neurobiology of musical emotions: Isabelle Peretz; 6. Exploring the habitus of listening: anthropological perspectives: Judith Becker; 7. Emotion as social emergence: perspectives from music sociology: Tia Denora; Part III Measurement; 8. Self-report measures and models: Marcel Zentner and Tuomas Eerola; 9. Continuous self-report methods: Emery Schubert; 10. Indirect perceptual, cognitive, and behavioural measures: Daniel VÄstfjÄll; 11. Psychophysiological measures: Donald A. Hodges; 12. Functional neuroimaging: Stefan Koelsch, Walter A. Siebel, and Thomas Fritz.;

505 8 a| Part IV Music Making13. Emotion and composition in classical music: historiometric perspectives: Dean Keith Simonton; 14. The role of structure in the musical expression of emotions: Alf Gabrielsson and Erik LindstrÖm; 15. Emotion and motivation in the lives of performers: Robert H. Woody and Gary E. Mcpherson; 16. The role of negative emotions in performance anxiety: Dianna T. Kenny; 17. Expression and communication of emotion in music performance: Patrik N. Juslin and Renee Timmers; Part V Music Listening; 18. Music in everyday life: the role of emotions: John A. Sloboda.;

505 8 a| 19. Experimental aesthetics and liking for music: David J. Hargreaves and Adrian C. North20. Strong experiences with music: Alf Gabrielsson; 21. Musical expectancy and thrills: David Huron and Elizabeth Hellmuth Margulis; 22. How does music evoke emotions? Exploring the underlying mechanisms: Patrik N. Juslin, Simon LiljestrÖm, Daniel VÄstfjÄll, and Lars-Olov Lundqvist; Part VI Development, Personality, And Social Factors; 23. Perspectives on music and affect in the early years: Sandra E. Trehub, Erin E. Hannon, and Adena Schachner.;

505 8 a| 24. Preference, personality, and emotion: Peter J. Rentfrow and Jennifer A. Mcdonald25. The influence of affect on music choice: Vladimir J. KoneCni; 26. Politics, mediation, social context, and public use: Reebee Garofalo; 27. Cross-cultural similarities and differences: William Forde Thompson and Laura-Lee Balkwill; Part VII Applications; 28. Music education: the role of affect: Susan Hallam; 29. Music therapy: Michael H. Thaut and Barbara L. Wheeler; 30. Music, health, and well-being: Suzanne B. Hanser; 31. Music as a source of emotion in film: Annabel J. Cohen.;

500 a| 32. Music and marketing: Adrian C. North and David J. Hargreaves.;

520 a| Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the m.;

588 0 a| Print version record.;

650 4 a| Art.;

655 4 a| Electronic books.;

650 4 a| Arts.;

700 1 a| Sloboda, John.?| UNAUTHORIZED;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4555501-3001l| MNETm| JMUSICr| Ys| Yt| MNE3BKu| 11/8/2016x| EBOOKz| JERESOURCEo| .STAFF. jwjh;

Handbook of Music and Emotion : Theory, Research, Applications.

Author/creator	Juslin, Patrik N.
Other author	Sloboda, John.
Format	Electronic
Publication Info	Oxford : OUP Oxford, 2009.
Description	1 online resource (2,021 pages)
Supplemental Content	Click to View
Subjects	Art. Arts.

Contents	Cover Page; Title Page; Copyright Page; Foreword; Acknowledgements; Contents; List of contributors; Part I Overture; 1. Introduction: aims, organization, and terminology: Patrik N. Juslin and John A. Sloboda; Part II Multi-Disciplinary Perspectives; 2. Emotions expressed and aroused by music: philosophical perspectives: Stephen Davies; 3. Emotion in culture and history: perspectives from musicology: Nicholas Cook and Nicola Dibben; 4. At the interface between the inner and outer world: psychological perspectives: John A. Sloboda and Patrik N. Juslin.
Contents	5. Towards a neurobiology of musical emotions: Isabelle Peretz; 6. Exploring the habitus of listening: anthropological perspectives: Judith Becker; 7. Emotion as social emergence: perspectives from music sociology: Tia Denora; Part III Measurement; 8. Self-report measures and models: Marcel Zentner and Tuomas Eerola; 9. Continuous self-report methods: Emery Schubert; 10. Indirect perceptual, cognitive, and behavioural measures: Daniel VÄstfjÄll; 11. Psychophysiological measures: Donald A. Hodges; 12. Functional neuroimaging: Stefan Koelsch, Walter A. Siebel, and Thomas Fritz.
Contents	Part IV Music Making13. Emotion and composition in classical music: historiometric perspectives: Dean Keith Simonton; 14. The role of structure in the musical expression of emotions: Alf Gabrielsson and Erik LindstrÖm; 15. Emotion and motivation in the lives of performers: Robert H. Woody and Gary E. Mcpherson; 16. The role of negative emotions in performance anxiety: Dianna T. Kenny; 17. Expression and communication of emotion in music performance: Patrik N. Juslin and Renee Timmers; Part V Music Listening; 18. Music in everyday life: the role of emotions: John A. Sloboda.
Contents	19. Experimental aesthetics and liking for music: David J. Hargreaves and Adrian C. North20. Strong experiences with music: Alf Gabrielsson; 21. Musical expectancy and thrills: David Huron and Elizabeth Hellmuth Margulis; 22. How does music evoke emotions? Exploring the underlying mechanisms: Patrik N. Juslin, Simon LiljestrÖm, Daniel VÄstfjÄll, and Lars-Olov Lundqvist; Part VI Development, Personality, And Social Factors; 23. Perspectives on music and affect in the early years: Sandra E. Trehub, Erin E. Hannon, and Adena Schachner.
Contents	24. Preference, personality, and emotion: Peter J. Rentfrow and Jennifer A. Mcdonald25. The influence of affect on music choice: Vladimir J. KoneCni; 26. Politics, mediation, social context, and public use: Reebee Garofalo; 27. Cross-cultural similarities and differences: William Forde Thompson and Laura-Lee Balkwill; Part VII Applications; 28. Music education: the role of affect: Susan Hallam; 29. Music therapy: Michael H. Thaut and Barbara L. Wheeler; 30. Music, health, and well-being: Suzanne B. Hanser; 31. Music as a source of emotion in film: Annabel J. Cohen.
Abstract	Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the m.
General note	32. Music and marketing: Adrian C. North and David J. Hargreaves.
Source of description	Print version record.
Issued in other form	Print version: Juslin, Patrik. Handbook of Music and Emotion : Theory, Research, Applications. Oxford : OUP Oxford, ©2009 9780199604968
Genre/form	Electronic books.
ISBN	9780191620720
ISBN	0191620726

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