||Ashgate Series in Nineteenth-Century Transatlantic Studies
||Introduction: The nineteenth-century transatlantic lecture tour and the case of Frederick Douglass -- Seen and not heard: the transatlantic tours of Harriet Martineau and Harriet Beecher Stowe -- Performing ownership: Dickens, Twain, and copyright on the transatlantic stage -- Apostles in the flesh: Arnold, Wilde, and the reproduction of personality in America -- The voice of the master: Henry James and the paradox of performance -- Conclusion: Performing authorship beyond the nineteenth century.
|Bibliography note||Includes bibliographical references (pages 149-162) and index.|
|Access restriction||Available only to authorized users.|
|Technical details||Mode of access: World Wide Web|
|ISBN||9781472416643 (cloth : alk. paper)|