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LEADER 03735cam a2200541 i 4500

001 ocn907147568;

003 OCoLC;

005 20160412054008.7;

008 150721t20152015ilua b 001 0 eng c;

010 a| 2015028491;

019 a| 930777742;

020 a| 9780226267449q| (cloth ;q| alk. paper);

020 a| 022626744Xq| (cloth ;q| alk. paper);

020 z| 9780226267586q| (e-book);

035 a| (Sirsi) 40025982573;

035 a| 40025982573;

035 a| (OCoLC)907147568z| (OCoLC)930777742;

042 a| pcc;

043 a| n-us---;

050 00 a| N6537.D43b| K73 2015;

082 00 a| 759.132| 23;

100 1 a| Krauss, Rosalind E.,e| author.=| ^A34313;

245 10 a| Willem de Kooning nonstop :b| cherchez la femme /c| Rosalind E. Krauss.;

264 1 a| Chicago :b| The University of Chicago Press,c| 2015.;

300 a| 154 pages :b| color illustrations ;c| 25 cm;

336 a| textb| txt2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

504 a| Includes bibliographical references and index.;

505 0 a| In lieu of a preface -- Triplex nonstop -- The shadow knows -- Through a glass darkly -- Totem and taboo -- "After abstract expressionism" -- ... Its bad name -- De Kooning's doubt.;

520 a| "In the early 1950s, Willem de Kooning’s Woman I and subsequent paintings established him as a leading member of the abstract expressionist movement. His wildly impacted brushstrokes and heavily encrusted surfaces baffled most critics, who saw de Kooning’s monstrous female image as violent, aggressive, and ultimately the product of a misogynistic mind. In the image-rich Willem de Kooning Nonstop, Rosalind E. Krauss counters this view with a radical rethinking of de Kooning’s bold canvases and reveals his true artistic practices. Krauss demonstrates that contrary to popular conceptions of de Kooning as an artist who painted chaotically only to finish abruptly, he was in fact constantly reworking the same subject based on a compositional template. This template informed all of his art and included a three-part vertical structure; the projection of his male point of view into the painting or sculpture; and the near-universal inclusion of the female form, which was paired with her redoubled projection onto his work. Krauss identifies these elements throughout de Kooning’s oeuvre, even in his paintings of highways, boats, and landscapes: Woman is always there. A thought-provoking study by one of America’s greatest art critics, Willem de Kooning Nonstop revolutionizes our understanding of de Kooning and shows us what has always been hiding in plain sight in his work"--Publisher's website.;

600 10 a| De Kooning, Willem,d| 1904-1997x| Criticism and interpretation.=| ^A637996;

600 10 a| De Kooning, Willem,d| 1904-1997x| Themes, motives.=| ^A637996;

650 0 a| Women in art.=| ^A72783;

650 0 a| Abstract expressionismz| United States.=| ^A143432;

655 7 a| Criticism, interpretation, etc.2| fast0| (OCoLC)fst01411635;

650 7 a| Abstract expressionism.2| fast0| (OCoLC)fst00794746;

650 7 a| Themes, motives.2| fast0| (OCoLC)fst01355139;

650 7 a| Women in art.2| fast0| (OCoLC)fst01177826;

651 7 a| United States.2| fast0| (OCoLC)fst01204155?| UNAUTHORIZED;

949 i| 30372016618883o| jjlm;

960 o| 1s| 30.00t| Joyner48u| JAPPz| USD;

596 a| 1;

998 a| 4405019;

999 a| N6537 .D43 K73 2015w| LCc| 1i| 30372016618883d| 9/13/2016e| 6/7/2016l| JGESm| JOYNERr| Ys| Yt| JGESBKu| 5/25/2016x| BOOKz| JSTACKSo| .STAFF. jjlm;

Willem de Kooning nonstop : cherchez la femme / Rosalind E. Krauss.

Author/creator	Krauss, Rosalind E. author.
Format	Book
Publication	Chicago : The University of Chicago Press, 2015.
Copyright Date	©2015
Description	154 pages : color illustrations ; 25 cm
Subjects	De Kooning, Willem, 1904-1997--Criticism and interpretation. De Kooning, Willem, 1904-1997--Themes, motives. Women in art. Abstract expressionism--United States.

Contents	In lieu of a preface -- Triplex nonstop -- The shadow knows -- Through a glass darkly -- Totem and taboo -- "After abstract expressionism" -- ... Its bad name -- De Kooning's doubt.
Abstract	"In the early 1950s, Willem de Kooning’s Woman I and subsequent paintings established him as a leading member of the abstract expressionist movement. His wildly impacted brushstrokes and heavily encrusted surfaces baffled most critics, who saw de Kooning’s monstrous female image as violent, aggressive, and ultimately the product of a misogynistic mind. In the image-rich Willem de Kooning Nonstop, Rosalind E. Krauss counters this view with a radical rethinking of de Kooning’s bold canvases and reveals his true artistic practices. Krauss demonstrates that contrary to popular conceptions of de Kooning as an artist who painted chaotically only to finish abruptly, he was in fact constantly reworking the same subject based on a compositional template. This template informed all of his art and included a three-part vertical structure; the projection of his male point of view into the painting or sculpture; and the near-universal inclusion of the female form, which was paired with her redoubled projection onto his work. Krauss identifies these elements throughout de Kooning’s oeuvre, even in his paintings of highways, boats, and landscapes: Woman is always there. A thought-provoking study by one of America’s greatest art critics, Willem de Kooning Nonstop revolutionizes our understanding of de Kooning and shows us what has always been hiding in plain sight in his work"--Publisher's website.
Bibliography note	Includes bibliographical references and index.
Genre/form	Criticism, interpretation, etc.
LCCN	2015028491
ISBN	9780226267449 (cloth ; alk. paper)
ISBN	022626744X (cloth ; alk. paper)
ISBN	(e-book)

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Joyner	General Stacks	N6537 .D43 K73 2015	✔ Available	Place Hold

Willem de Kooning nonstop : cherchez la femme / Rosalind E. Krauss.

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