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010 a| 2015514800;

015 a| GBB4851882| bnb;

016 7 a| 0168229462| Uk;

020 a| 9781783203529q| (paperback);

020 a| 1783203528q| (paperback);

035 a| (WaSeSS)ssj0001414882;

042 a| lccopycat;

049 a| EREEa| NEHH;

050 00 a| HM646b| .H37 2014;

082 04 a| 306.12| 23;

100 1 a| Harriman, Andi.=| ^A1258465;

245 10 a| Some wear leather, some wear laceh| [electronic resource] :b| the worldwide compendium of postpunk and goth in the 1980s /c| by Andi Harriman and Marloes Bontje.;

246 3 a| Worldwide compendium of postpunk and goth in the 1980s;

246 3 a| Worldwide compendium of postpunk and goth in the nineteen eighties;

260 a| Bristol, UK :b| Intellect,c| 2014.;

300 a| 216 pages :b| illustrations (some color) ;c| 22 cm;

505 0 a| Intro -- Atmosphere -- Kings of the wild frontier -- Places: Scandinavia -- A New dark age -- Places: Behind the iron Curtain -- Everyday is Halloween -- This corrosion -- Memorabilia -- A new form of beauty -- Spirit (We love our audience!) -- Painted bird -- Places: Japan -- Like cockatoos -- Places: Grufti Nation -- Promised land -- Places: The Netherlands -- Face to face -- Meat of youth -- Photo Collections -- I. Style: Creatures of the night -- II. La Movida : New cultural identity -- III. Boredom of life : spheres and sentiments; IV. To the Batcave! -- V. Shot! : Becoming history -- Winklepickers -- The last song;

506 a| Available only to authorized users.;

520 a| It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats, or the morbids. "Goth" did not gain lexical currency until the late 1980s. But no matter what term was used, "postpunk" encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes. Alongside rare photographs, the interviewees discuss the motivations behind the dark aesthetic: the fashion, the art and, most of all, the music --c| Source other than Library of Congress.;

538 a| Mode of access: World Wide Web;

650 0 a| Punk culture.=| ^A364496;

650 0 a| Goth culture (Subculture)=| ^A524052;

650 0 a| Punk culturev| Pictorial works.=| ^A364496;

650 0 a| Goth culture (Subculture)v| Pictorial works.=| ^A524052;

650 0 a| Subculturey| 20th century.=| ^A6457;

650 0 a| Fashionx| Social aspects.=| ^A114734;

650 0 a| Clothing and dressx| Social aspects.=| ^A204272;

650 0 a| Punk rock musicv| Pictorial works.=| ^A471993;

650 7 a| Nineteen eighties.2| fast0| (OCoLC)fst01037781;

650 7 a| Punk2| gbv0| (DE-601)1061931470| (DE-588)4047851-8;

650 7 a| Gothic2| gbv0| (DE-601)1041646700| (DE-588)4296101-4;

650 7 a| Mode2| gbv0| (DE-601)1047676770| (DE-588)4039792-0;

655 0 a| Electronic books.=| ^A491897;

700 1 a| Bontje, Marloes.=| ^A1258473;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=1747046;

947 a| (OCoLC)ocn887940215;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

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949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

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Some wear leather, some wear lace the worldwide compendium of postpunk and goth in the 1980s / by Andi Harriman and Marloes Bontje.

Author/creator	Harriman, Andi
Other author	Bontje, Marloes.
Format	Electronic
Publication Info	Bristol, UK : Intellect, 2014.
Description	216 pages : illustrations (some color) ; 22 cm
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Punk culture. Goth culture (Subculture) Punk culture--Pictorial works. Goth culture (Subculture)--Pictorial works. Subculture--20th century. Fashion--Social aspects. Clothing and dress--Social aspects. Punk rock music--Pictorial works.

Variant title	Worldwide compendium of postpunk and goth in the 1980s
Variant title	Worldwide compendium of postpunk and goth in the nineteen eighties
Contents	Intro -- Atmosphere -- Kings of the wild frontier -- Places: Scandinavia -- A New dark age -- Places: Behind the iron Curtain -- Everyday is Halloween -- This corrosion -- Memorabilia -- A new form of beauty -- Spirit (We love our audience!) -- Painted bird -- Places: Japan -- Like cockatoos -- Places: Grufti Nation -- Promised land -- Places: The Netherlands -- Face to face -- Meat of youth -- Photo Collections -- I. Style: Creatures of the night -- II. La Movida : New cultural identity -- III. Boredom of life : spheres and sentiments; IV. To the Batcave! -- V. Shot! : Becoming history -- Winklepickers -- The last song
Abstract	It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats, or the morbids. "Goth" did not gain lexical currency until the late 1980s. But no matter what term was used, "postpunk" encompasses all the incarnations of the 1980s alternative movement. Some Wear Leather, Some Wear Lace is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes. Alongside rare photographs, the interviewees discuss the motivations behind the dark aesthetic: the fashion, the art and, most of all, the music -- Source other than Library of Congress.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2015514800
ISBN	9781783203529 (paperback)
ISBN	1783203528 (paperback)

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Some wear leather, some wear lace the worldwide compendium of postpunk and goth in the 1980s / by Andi Harriman and Marloes Bontje.

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