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010 a| 2008013679;

020 a| 9781574412499 (cloth : alk. paper);

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050 00 a| MT95b| .L37 2008;

082 00 a| 782.109732| 22;

100 1 a| Latham, Edward David.=| ^A790491;

245 10 a| Tonality as dramah| [electronic resource] :b| closure and interruption in four twentieth-century American operas /c| Edward D. Latham.;

260 a| Denton, Tex. :b| University of North Texas Press,;

300 a| xv, 221 p. :b| ill. ;c| 24 cm.;

504 a| Includes bibliographical references (p. 193-210) and index.;

505 0 a| Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Joplin, Scott,d| 1868-1917.t| Treemonisha.=| ^A495519;

600 10 a| Weill, Kurt,d| 1900-1950.t| Street scene.=| ^A576241;

600 10 a| Gershwin, George,d| 1898-1937.t| Porgy and Bess.=| ^A497511;

600 10 a| Copland, Aaron,d| 1900-1990.t| Tender land.=| ^A646854;

650 0 a| Operasx| Analysis, appreciation.=| ^A141976;

650 0 a| Operaz| United Statesy| 20th century.=| ^A19937;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=517531;

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999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 4305009-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 1/4/2016x| EBOOKz| HERESOURCE;

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Tonality as drama closure and interruption in four twentieth-century American operas / Edward D. Latham.

Author/creator	Latham, Edward David
Format	Electronic
Publication Info	Denton, Tex. : University of North Texas Press,
Description	xv, 221 p. : ill. ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Joplin, Scott, 1868-1917. Treemonisha. Weill, Kurt, 1900-1950. Street scene. Gershwin, George, 1898-1937. Porgy and Bess. Copland, Aaron, 1900-1990. Tender land. Operas--Analysis, appreciation. Opera--United States. --20th century.

Contents	Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).
Bibliography note	Includes bibliographical references (p. 193-210) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2008013679
ISBN	9781574412499 (cloth : alk. paper)

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Tonality as drama closure and interruption in four twentieth-century American operas / Edward D. Latham.

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