Performing the US Latina and Latino borderlands / edited by Arturo J. Aldama, Chela Sandoval, and Peter J. Garc©Ưa.

Other author Aldama, Arturo J., 1964-
Other author Sandoval, Chela, 1956-
Other author Garc©Ưa, Peter J.
Format Electronic
Publication InfoBloomington : Indiana University Press,
Descriptionxv, 504 p. : ill. ; 23 cm..
Supplemental ContentFull text available from Ebook Central - Academic Complete
Supplemental ContentFull text available from Border and Migration Studies Online (Text)
Subjects

Contents Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. Garc©Ưa -- Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)C©đdice-ado: Chicana/Ind©Ưgena and Mexican transnational performative indigeneities / Micaela D©Ưaz-S©Łnchez -- Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones -- The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian -- The art of place: the work of Diane Gamboa / Karen Mary Davalos -- Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Guti©♭rrez-Jones -- Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-Garc©Ưa -- Ethnographies of performance: the R©Ưo Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cant©ð -- Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-Gonz©Łlez -- Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the R©Ưo Grande River / William Anthony Nericcio -- Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Ju©Łrez / Emma P©♭rez -- "Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo M©♭xico music / Peter J. Garc©Ưa -- Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hern©Łndez -- Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero -- Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Mart©Ưnez-Cruz and Liza Ann Acosta -- Suturing las ramblas to East LA: transnational performances of Josefina L©đpez's Real women have curves / Tiffany Ana L©đpez -- Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revoluci©đn / Marivel T. Danielson -- Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito -- Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada -- (De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama -- "Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado -- Mexican hip hop: male expressive culture / Pancho McFarland -- The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson -- (Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique P©♭rez -- Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.
Bibliography noteIncludes bibliographical references and index.
Access restrictionAvailable only to authorized users.
Technical detailsMode of access: World Wide Web
Genre/formElectronic books.
LCCN 2012013047
ISBN9780253002952 (cloth : alk. paper)
ISBN9780253005748 (pbk. : alk. paper)
ISBN9780253008770 (ebook)

Availability

Library Location Call Number Status Item Actions
Electronic Resources ✔ Available