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LEADER 02148cam a2200385 a 4500

001 ocm23082633;

005 20141212083947.0;

008 901218s1991 pauag b 001 0 eng ;

010 a| 90028313;

020 a| 0812230884;

035 a| (Sirsi) o23082633;

035 a| (OCoLC)23082633;

040 a| DLCc| DLCd| EREd| UtOrBLW;

049 a| EREM;

050 00 a| ML410.S283b| T6 1991;

082 00 a| 781.2/68/0922| 20;

100 1 a| Thomson, William,d| 1927-2019=| ^A275906;

245 10 a| Schoenberg's error /c| William Thomson.;

300 a| x, 217 pages :b| illustrations, music ;c| 26 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies in the criticism and theory of music;

504 a| Includes bibliographical references (pages 199-212) and index.;

505 0 a| The contexts and its predilections. Music, change, and a dawning century ; In search of prophets ; Schoenberg's controlling assumptions -- Schoenberg as theorist. The tonal basis in nature's chord ; Scales, modes, and evolution ; The emancipation of dissonance ; Perserving music theory's trinity: scale, chord, and key -- Sorting out the issues. A new look at some old ideas ; The pitch-rhythm-harmony mix -- Putting together what belongs together. The harmonic series as pitch archetype ; Modal concepts, phrase vectors, and the harmonic frame -- The compounded error and its legacy. Alleged harbingers of the atonal ; The more things change, the more... ; The Schoenbergian legacy.;

600 10 a| Schoenberg, Arnold,d| 1874-1951x| Criticism and interpretation.=| ^A18534;

650 0 a| Music theoryx| Historyy| 20th century.=| ^A880433;

650 0 a| Musicx| Philosophy and aesthetics.=| ^A18895;

650 0 a| Twelve-tone system.=| ^A31189;

830 0 a| Studies in the criticism and theory of music.=| ^A221344;

919 a| BOOK;

596 a| 3;

998 a| 397588;

999 a| ML410.S283 T6 1991w| LCc| 1i| 30372005964835d| 2/26/2017e| 3/14/2010f| 3/12/2024g| 4l| MSTm| JMUSICn| 14q| 1r| Ys| Yt| MGESBKu| 10/9/1991x| BOOKz| MCIRCo| .STAFF. enhanced 4/27/22 -jjab;

Schoenberg's error / William Thomson.

Author/creator	Thomson, William
Format	Book
Publication Info	Philadelphia : University of Pennsylvania Press, ©1991.
Description	x, 217 pages : illustrations, music ; 26 cm.
Subjects	Schoenberg, Arnold, 1874-1951--Criticism and interpretation. Music theory--History. --20th century. Music--Philosophy and aesthetics. Twelve-tone system.

Series	Studies in the criticism and theory of music Studies in the criticism and theory of music. ^A221344
Contents	The contexts and its predilections. Music, change, and a dawning century ; In search of prophets ; Schoenberg's controlling assumptions -- Schoenberg as theorist. The tonal basis in nature's chord ; Scales, modes, and evolution ; The emancipation of dissonance ; Perserving music theory's trinity: scale, chord, and key -- Sorting out the issues. A new look at some old ideas ; The pitch-rhythm-harmony mix -- Putting together what belongs together. The harmonic series as pitch archetype ; Modal concepts, phrase vectors, and the harmonic frame -- The compounded error and its legacy. Alleged harbingers of the atonal ; The more things change, the more... ; The Schoenbergian legacy.
Bibliography note	Includes bibliographical references (pages 199-212) and index.
LCCN	90028313
ISBN	0812230884

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.S283 T6 1991	✔ Available	Place Hold

Schoenberg's error / William Thomson.

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