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008 090930s2010 cauag sb 001 0 eng d;

010 a| 2009040742;

015 a| GBB0305132| bnb;

016 7 a| 0154941712| Uk;

020 a| 9780520264793 (cloth : alk. paper);

020 a| 0520264797 (cloth : alk. paper);

020 a| 9780520264809 (pbk. : alk. paper);

020 a| 0520264800 (pbk. : alk. paper);

035 a| (WaSeSS)ssj0000410850;

049 a| EREEa| NEHH;

050 00 a| ML3854b| .A84 2010;

082 00 a| 781.492| 22;

100 1 a| Ashby, Arved Mark.=| ^A586999;

245 10 a| Absolute music, mechanical reproductionh| [electronic resource] /c| Arved Ashby.;

260 a| Berkeley :b| University of California Press,;

300 a| xii, 317 p. :b| ill., music ;c| 24 cm.;

504 a| Includes bibliographical references (p.299-308) and index.;

505 0 a| The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.;

506 a| Available only to authorized users.;

538 a| Mode of access: World Wide Web;

600 10 a| Gould, Glennx| Criticism and interpretation.=| ^A110630;

600 10 a| Schnabel, Artur,d| 1882-1951x| Criticism and interpretation.=| ^A49653;

650 0 a| Absolute music.=| ^A435386;

650 0 a| Sound recordingsx| Social aspects.=| ^A40369;

650 0 a| Musicx| Philosophy and aesthetics.=| ^A18895;

650 0 a| Performance practice (Music)x| Historyy| 20th century.=| ^A296056;

650 0 a| Music and technology.=| ^A390482;

650 0 a| Soundx| Recording and reproducingx| Digital techniques.=| ^A246129;

650 0 a| MP3 (Audio coding standard)x| Social aspects.=| ^A478279;

655 0 a| Electronic books.=| ^A491897;

856 40 z| Full text available from Ebook Central - Academic Completeu| https://ebookcentral.proquest.com/lib/eastcarolina/detail.action?docID=566757;

947 a| (OCoLC)ocn449860806;

949 a| CLICK ON WEB ADDRESSw| ASISh| JOYNER188;

949 a| CLICK ON WEB ADDRESSw| ASISh| HSL77;

949 a| CLICK ON WEB ADDRESSw| ASISh| JMUSIC60;

596 a| 1 3 4;

998 a| 3957496;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 3957496-1001l| JNETm| JOYNERr| Ys| Yt| JNESSBKu| 1/1/2016x| EBOOKz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 3957496-2001l| HSLELECm| HSLr| Ys| Yt| HEBKu| 1/1/2016x| EBOOKz| HERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 3957496-3001l| MNETm| JMUSICr| Ys| Yt| MNESSBKu| 1/1/2016x| EBOOKz| JERESOURCE;

Absolute music, mechanical reproduction / Arved Ashby.

Author/creator	Ashby, Arved Mark
Format	Electronic
Publication Info	Berkeley : University of California Press,
Description	xii, 317 p. : ill., music ; 24 cm.
Supplemental Content	Full text available from Ebook Central - Academic Complete
Subjects	Gould, Glenn--Criticism and interpretation. Schnabel, Artur, 1882-1951--Criticism and interpretation. Absolute music. Sound recordings--Social aspects. Music--Philosophy and aesthetics. Performance practice (Music)--History. --20th century. Music and technology. Sound--Recording and reproducing. --Digital techniques. MP3 (Audio coding standard)--Social aspects.

Contents	The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
Bibliography note	Includes bibliographical references (p.299-308) and index.
Access restriction	Available only to authorized users.
Technical details	Mode of access: World Wide Web
Genre/form	Electronic books.
LCCN	2009040742
ISBN	9780520264793 (cloth : alk. paper)
ISBN	0520264797 (cloth : alk. paper)
ISBN	9780520264809 (pbk. : alk. paper)
ISBN	0520264800 (pbk. : alk. paper)

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Absolute music, mechanical reproduction / Arved Ashby.

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