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001 ocn889804885;

003 OCoLC;

005 20141212071937.0;

006 m o d ;

007 cr bn|||||||||;

008 140902s2014 ncug ob 000 0 eng d;

035 a| (Sirsi) o889804885;

035 a| (OCoLC)889804885;

049 a| EREE;

090 a| MT90;

100 1 a| Dosseva, Radina,e| author.?| UNAUTHORIZED;

245 10 a| Short character pieces for string quartet and an analysis of motivic development and evolution of form in Johann Sebastian Bach's keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's piano sonata, K. 333 (1783) /c| by Radina T. Dosseva.;

264 1 a| [Greenville, N.C.] :b| [East Carolina University],c| 2014.;

300 a| 74 pages :b| music;

336 a| textb| txt2| rdacontent;

337 a| computerb| c2| rdamedia;

338 a| online resourceb| cr2| rdacarrier;

347 a| text fileb| PDFc| 3.70Mb2| rda;

538 a| System requirements: Adobe Reader.;

538 a| Mode of access: World Wide Web.;

502 b| M.M.c| East Carolina Universityd| 2014.;

500 a| Advisor: Edward Jacobs.;

520 3 a| Throughout history there has been much discussion on the evolution of musical forms and structures. There has also been discussion of motivic development as a means of unifying one or more musical compositions. This thesis analyzes motivic development in the first movement of J. S. Bach's Concerto nach Italianischem Gusto, BWV 971, and the evolution of form as reflected in the third movement of Mozart's piano sonata in B-flat major, K. 333. It is the goal of this thesis to establish that the ritornello form of Bach's Concerto nach Italianischem Gusto relates to the formal design of Mozart's sonata, not only in the division of sections, but through the use of motivic development as well.;

504 a| Includes bibliographical references.;

600 10 a| Bach, Johann Sebastian,d| 1685-1750.t| Italienisches Konzert.n| Nr. 1.=| ^A999535;

600 10 a| Mozart, Wolfgang Amadeus,d| 1756-1791.t| Sonatas,m| piano,n| K. 333,r| B♭ majorp| Allegretto.=| ^A500823;

600 10 a| Bach, Johann Sebastian,d| 1685-1750x| Criticism and interpretation.=| ^A15801;

600 10 a| Mozart, Wolfgang Amadeus,d| 1756-1791x| Criticism and interpretation.=| ^A31894;

653 a| Music;

700 1 a| Jacobs, Edwardc| (Composer)e| degree supervisor.=| ^A683864;

710 2 a| East Carolina University.b| Department of Theory, Composition, and Musicology,e| degree granting institution.?| UNAUTHORIZED;

856 40 z| Access via ScholarShipu| http://hdl.handle.net/10342/4539;

994 a| C0b| ERE;

596 a| 1 4;

998 a| 3510230;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 3510230-1001l| JNETm| JOYNERr| Ys| Yt| JNE3ETDu| 9/2/2014x| ETDz| JERESOURCE;

999 a| CLICK ON WEB ADDRESSw| ASISc| 1i| 3510230-2001l| HSLELECm| HSLr| Ys| Yt| HEETDu| 9/2/2014x| ETDz| HERESOURCE;

Short character pieces for string quartet and an analysis of motivic development and evolution of form in Johann Sebastian Bach's keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's piano sonata, K. 333 (1783) / by Radina T. Dosseva.

Author/creator	Dosseva, Radina author.
Other author	Jacobs, Edward (Composer) degree supervisor.
Other author	East Carolina University. Department of Theory, Composition, and Musicology, degree granting institution.
Format	Theses and dissertations
Publication	[Greenville, N.C.] : [East Carolina University], 2014.
Description	74 pages : music
Supplemental Content	Access via ScholarShip
Subjects	Bach, Johann Sebastian, 1685-1750. Italienisches Konzert. Nr. 1. Mozart, Wolfgang Amadeus, 1756-1791. Sonatas, piano, K. 333, B♭ major Allegretto. Bach, Johann Sebastian, 1685-1750--Criticism and interpretation. Mozart, Wolfgang Amadeus, 1756-1791--Criticism and interpretation.

Summary	Throughout history there has been much discussion on the evolution of musical forms and structures. There has also been discussion of motivic development as a means of unifying one or more musical compositions. This thesis analyzes motivic development in the first movement of J. S. Bach's Concerto nach Italianischem Gusto, BWV 971, and the evolution of form as reflected in the third movement of Mozart's piano sonata in B-flat major, K. 333. It is the goal of this thesis to establish that the ritornello form of Bach's Concerto nach Italianischem Gusto relates to the formal design of Mozart's sonata, not only in the division of sections, but through the use of motivic development as well.
General note	Advisor: Edward Jacobs.
Dissertation note	M.M. East Carolina University 2014.
Bibliography note	Includes bibliographical references.
Technical details	System requirements: Adobe Reader.
Technical details	Mode of access: World Wide Web.

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Short character pieces for string quartet and an analysis of motivic development and evolution of form in Johann Sebastian Bach's keyboard Concerto nach Italienischem Gusto, BWV 971 (1735) and Mozart's piano sonata, K. 333 (1783) / by Radina T. Dosseva.

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