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LEADER 02575cam a2200529 i 4500

001 ocn854512624;

003 OCoLC;

005 20141212071450.0;

008 130715t20142014nyuaf b 001 0 eng ;

010 a| 2013027299;

020 a| 9781107032224 (hardback);

020 a| 1107032229 (hardback);

035 a| (Sirsi) 40023810904;

035 a| 40023810904;

035 a| (OCoLC)854512624;

042 a| pcc;

043 a| e-uk-ena| e-fr---;

050 00 a| ND3337b| .S26 2014;

082 00 a| 745.6/70942| 23;

084 a| HIS0100002| bisacsh;

100 1 a| Sand, Alexa Kristen,e| author.=| ^A1193628;

245 10 a| Vision, devotion, and self-representation in late medieval art /c| Alexa Sand.;

264 1 a| New York, NY :b| Cambridge University Press,c| 2014.;

300 a| xii, 408 pages, 7 unnumbered pages of plates :b| illustrations ;c| 27 cm;

336 a| textb| txt2| rdacontent;

336 a| still imageb| sti2| rdacontent;

337 a| unmediatedb| n2| rdamedia;

338 a| volumeb| nc2| rdacarrier;

504 a| Includes bibliographical references and index.;

520 a| "This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"--c| Provided by publisher.;

505 0 a| Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer -- Saving face: the Veronica and the Visio Dei -- From Memoria to Visio: revising the donor -- Framing vision: the image of the book owner and the reflexive mode of seeing -- Domesticating devotion: body, space, and self -- Conclusion: Power and the portrait: negotiating gender.;

650 0 a| Portraits, Medievalz| England.=| ^A787662;

650 0 a| Portraits, Medievalz| France.=| ^A787662;

650 0 a| Womenz| Englandv| Portraits.=| ^A768;

650 0 a| Womenz| Francev| Portraits.=| ^A768;

650 0 a| Illumination of books and manuscripts, Medievalz| England.=| ^A107918;

650 0 a| Illumination of books and manuscripts, Medievalz| France.=| ^A235676;

650 0 a| Prayer booksz| England.=| ^A63976;

650 0 a| Prayer booksz| France.=| ^A63976;

650 7 a| HISTORYz| Europex| General.2| bisacsh;

949 i| 30372013909152o| jjlm;

960 o| 1s| 99.00t| Joyner48u| JAPPz| USD;

598 a| JNEWBOOKS;

596 a| 1;

998 a| 3502968;

999 a| ND3337 .S26 2014w| LCc| 1i| 30372013909152d| 3/5/2015e| 8/27/2014l| JGESm| JOYNERr| Ys| Yt| JGESBKu| 8/12/2014x| BOOKz| JSTACKSo| .STAFF. jjlm;

Vision, devotion, and self-representation in late medieval art / Alexa Sand.

Author/creator	Sand, Alexa Kristen author.
Format	Book
Publication	New York, NY : Cambridge University Press, 2014.
Description	xii, 408 pages, 7 unnumbered pages of plates : illustrations ; 27 cm
Subjects	Portraits, Medieval--England. Portraits, Medieval--France. Women--England. --Portraits. Women--France. --Portraits. Illumination of books and manuscripts, Medieval--England. Illumination of books and manuscripts, Medieval--France. Prayer books--England. Prayer books--France.

Contents	Introduction: self-reflection, devotion, and vision in the image of the book owner at prayer -- Saving face: the Veronica and the Visio Dei -- From Memoria to Visio: revising the donor -- Framing vision: the image of the book owner and the reflexive mode of seeing -- Domesticating devotion: body, space, and self -- Conclusion: Power and the portrait: negotiating gender.
Abstract	"This book focuses on one of the most attractive yet poorly understood features of late-medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her own prayer-book"-- Provided by publisher.
Bibliography note	Includes bibliographical references and index.
LCCN	2013027299
ISBN	9781107032224 (hardback)
ISBN	1107032229 (hardback)

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Library	Location	Call Number	Status	Item Actions
Joyner	General Stacks	ND3337 .S26 2014	✔ Available	Place Hold

Vision, devotion, and self-representation in late medieval art / Alexa Sand.

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