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LEADER 03090cam a2200457 a 4500

001 ocn822018107;

003 OCoLC;

005 20141212071450.0;

008 121214s2013 enka b 100 0 eng d;

019 a| 834404206;

020 a| 9781846318757 (pbk.);

020 a| 1846318750 (pbk.);

035 a| (Sirsi) 40023810937;

035 a| 40023810937;

035 a| (OCoLC)822018107z| (OCoLC)834404206;

050 4 a| ND553.P5b| P53 2013;

082 04 a| 759.42| 23;

245 00 a| Picasso and the politics of visual representation :b| war and peace in the era of the Cold War and since /c| edited by Jonathan Harris with Richard Koeck.;

260 a| Liverpool :b| Liverpool University Press,c| 2013.;

300 a| 183 pages :b| illustrations (some color) ;c| 22 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Tate Liverpool critical forum ;v| v. 13;

500 a| Papers derive from a conference co-organized by Tate Liverpool and the University of Liverpool to mark and interrorgate the Tate Liverpool exhibition 'Picasso: Peace and Freedom', held May-August 2010.;

504 a| Includes bibliographical references.;

520 8 a| This book focuses on the lesser known (and admired) 'political Picasso' of the period after 1944. In the decades after joining the French Communist Party in late 1944 at the end of World War Two, Picasso produced a body of work connected directly, if in complex and varied ways, to his left-wing political beliefs and continued affiliation to a Republican Spain destroyed by General Franco's fascist victory in the Spanish Civil War. The book draws together dynamic scholars from Europe and the USA examining facets of this era and Picasso's place within it in a variety of innovative ways developing art historical, critical and social-theoretical themes. Contributors reconsider, for example, the significance and legacy of Picasso's 1937 'Guernica' as a talisman of quality and vanguardism for later works by the artist concerned with, for example, the US invasion of Korea in 1950 (Harris, Craven, Lopez), the and the Cold War atomic and ideological standoff between the West and the USSR (Morris, Wilson).;

600 10 a| Picasso, Pablo,d| 1881-1973v| Congresses.=| ^A634424;

600 10 a| Picasso, Pablo,d| 1881-1973v| Exhibitions.=| ^A634424;

600 10 a| Picasso, Pablo,d| 1881-1973x| Political and social viewsv| Congresses.=| ^A634424;

600 10 a| Picasso, Pablo,d| 1881-1973x| Political and social viewsv| Exhibitions.=| ^A634424;

700 1 a| Harris, Jonathanq| (Jonathan P.)=| ^A510660;

700 1 a| Koeck, Richard,d| 1969-=| ^A1126382;

830 0 a| Tate Gallery Liverpool critical forum ;v| v. 13.=| ^A583739;

949 i| 30372013909889o| jjlm;

960 o| 1s| 70.00t| Joyner48u| JAPPz| USD;

598 a| JNEWBOOKS;

596 a| 1;

998 a| 3502961;

999 a| ND553 .P5 P53 2013w| LCc| 1i| 30372013909889d| 9/28/2022e| 10/21/2019l| JGESm| JOYNERn| 1q| 1r| Ys| Yt| JGESBKu| 8/12/2014x| BOOKz| JSTACKSo| .STAFF. jjlm;

Picasso and the politics of visual representation : war and peace in the era of the Cold War and since / edited by Jonathan Harris with Richard Koeck.

Other author	Harris, Jonathan (Jonathan P.)
Other author	Koeck, Richard, 1969-
Format	Book
Publication Info	Liverpool : Liverpool University Press, 2013.
Description	183 pages : illustrations (some color) ; 22 cm.
Subjects	Picasso, Pablo, 1881-1973--Congresses. Picasso, Pablo, 1881-1973--Exhibitions. Picasso, Pablo, 1881-1973--Political and social views. --Congresses. Picasso, Pablo, 1881-1973--Political and social views. --Exhibitions.

Series	Tate Liverpool critical forum ; v. 13 Tate Gallery Liverpool critical forum ; v. 13. ^A583739
Summary	This book focuses on the lesser known (and admired) 'political Picasso' of the period after 1944. In the decades after joining the French Communist Party in late 1944 at the end of World War Two, Picasso produced a body of work connected directly, if in complex and varied ways, to his left-wing political beliefs and continued affiliation to a Republican Spain destroyed by General Franco's fascist victory in the Spanish Civil War. The book draws together dynamic scholars from Europe and the USA examining facets of this era and Picasso's place within it in a variety of innovative ways developing art historical, critical and social-theoretical themes. Contributors reconsider, for example, the significance and legacy of Picasso's 1937 'Guernica' as a talisman of quality and vanguardism for later works by the artist concerned with, for example, the US invasion of Korea in 1950 (Harris, Craven, Lopez), the and the Cold War atomic and ideological standoff between the West and the USSR (Morris, Wilson).
General note	Papers derive from a conference co-organized by Tate Liverpool and the University of Liverpool to mark and interrorgate the Tate Liverpool exhibition 'Picasso: Peace and Freedom', held May-August 2010.
Bibliography note	Includes bibliographical references.
ISBN	9781846318757 (pbk.)
ISBN	1846318750 (pbk.)

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Joyner	General Stacks	ND553 .P5 P53 2013	✔ Available	Place Hold

Picasso and the politics of visual representation : war and peace in the era of the Cold War and since / edited by Jonathan Harris with Richard Koeck.

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