Tools

LEADER 02173cam a2200469 a 4500

001 ocn706022774;

003 OCoLC;

005 20141212053124.0;

008 110901s2012 enka b 001 0 eng ;

010 a| 2011037036;

020 a| 9780415543828 (hardback : alk. paper);

020 a| 0415543827 (hardback : alk. paper);

020 a| 9780415543835 (pbk. : alk. paper);

020 a| 0415543835 (pbk. : alk. paper);

020 a| 9780203146811 (e-book);

020 a| 0203146816 (e-book);

035 a| (Sirsi) 40021783208;

035 a| 40021783208;

035 a| (OCoLC)706022774;

042 a| pcc;

050 00 a| NX650.I35b| J66 2012;

082 00 a| 701/.182| 23;

100 1 a| Jones, Amelia.=| ^A326142;

245 10 a| Seeing differently :b| a history and theory identification and the visual arts /c| Amelia Jones.;

250 a| [1st ed.].;

260 a| Abingdon, Oxon [England] ;a| New York :b| Routledge,c| 2012.;

300 a| xxx, 254 pages :b| illustrations (some color) ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

500 a| Includes bibliographical references and index.;

505 0 a| Introduction: the leaking frame of the argument on how to see differently -- Art as a binary proposition: identity as a binary proposition -- Fetishizing the gaze and the anamorphic perversion : "the other is you" -- Multiculturalism, intersectionality, and "post-identity" -- Queer feminist durationality: time and materiality as a means of resisting spatial objectification -- Seeing and reconceiving difference: concluding thoughts, without final conclusions.;

650 0 a| Identity (Philosophical concept) in art.=| ^A781807;

650 0 a| Visual perception in art.=| ^A1146895;

650 0 a| Arts, Modern.=| ^A226448;

650 0 a| Aesthetics, Modern.=| ^A53428;

949 i| 30372013909749o| jjlm;

960 o| 1s| 130.00t| Joyner48u| JAPPz| USD;

596 a| 1;

998 a| 3288849;

999 a| NX650 .I35 J66 2012w| LCc| 1i| 30372013909749d| 5/3/2018e| 12/18/2017l| JGESm| JOYNERn| 6r| Ys| Yt| JGESBKu| 3/18/2013x| BOOKz| JSTACKSo| .STAFF. jjlm;

Seeing differently : a history and theory identification and the visual arts / Amelia Jones.

Author/creator	Jones, Amelia
Format	Book
Edition	[1st ed.].
Publication Info	Abingdon, Oxon [England] ; New York : Routledge, 2012.
Description	xxx, 254 pages : illustrations (some color) ; 24 cm
Subjects	Identity (Philosophical concept) in art. Visual perception in art. Arts, Modern. Aesthetics, Modern.

Contents	Introduction: the leaking frame of the argument on how to see differently -- Art as a binary proposition: identity as a binary proposition -- Fetishizing the gaze and the anamorphic perversion : "the other is you" -- Multiculturalism, intersectionality, and "post-identity" -- Queer feminist durationality: time and materiality as a means of resisting spatial objectification -- Seeing and reconceiving difference: concluding thoughts, without final conclusions.
General note	Includes bibliographical references and index.
LCCN	2011037036
ISBN	9780415543828 (hardback : alk. paper)
ISBN	0415543827 (hardback : alk. paper)
ISBN	9780415543835 (pbk. : alk. paper)
ISBN	0415543835 (pbk. : alk. paper)
ISBN	9780203146811 (e-book)
ISBN	0203146816 (e-book)

Availability

Library	Location	Call Number	Status	Item Actions
Joyner	General Stacks	NX650 .I35 J66 2012	✔ Available	Place Hold

Seeing differently : a history and theory identification and the visual arts / Amelia Jones.

Click here for more information about this title

Availability