Music and architecture : architectural projects, texts, and realizations / by Iannis Xenakis ; compilation, translation, and commentary by Sharon Kanach.

Author/creator Xenakis, Iannis
Other author Kanach, Sharon E., compiler, translator.
Format Book
Publication InfoHillsdale, NY : Pendragon Press, ©2008.
Descriptionxx, 338 pages : illustrations (some color) ; 19 cm.
Subjects

Uniform titleMusique de l'architecture. English
SeriesThe Iannis Xenakis series ; no. 1
Xenakis, Iannis, 1922-2001. Iannis Xenakis series ; no. 1. ^A1153971
Contents Part I. The Le Corbusier years : Xenakis in Le Corbusier's studio 1947-59 ; Xenakis and the Modulor ; Le Corbusier's Modulor ; Marseille, housing project in the "Radiant City" ; Housing project in Rezé-lès-Nantes ; The Chandigarh project ; Establishing a climatic grid ; Program for studies of optimal climatic conditions and the architectural means of correction ; Problem of breathing on the premises ; Letter to Le Corbusier from Xenakis ; Undulating Glass Panes ; Le Corbusier's patent application for "Undulating Glass Panes" and Xenakis' accompanying "technical note" ; Metastaseis and the Modulor ; Xenakis' Convent ; Le Corbusier constructs a Dominican monastery at La Tourette ; Guidelines for establishing contracts for La Tourette ; The Monastery of La Tourette: a work of Le Corbusier ; Letter to Father de Couesnongle from Xenakis ; The Monastery of La Tourette ; La Tourette preface ; Youth and Cultural Center, Firminy ; Project for an Olympic Stadium, Bagdad ; Correspondence between La Corbusier and Xenakis -- Provisional project presentation Olympic Stadium ; The Philips Pavilion ; Letter to Hermann Scherchen from Xenakis (excerpt) ; Le Corbusier's Electronic poem ; The Philips Pavilion at the dawn of a new architecture ; Xenakis on Le Corbusier ; Concerning Le Corbusier, 1965 ; On Le Corbusier, 1984 -- Part II. Writings on architecture : Xenakis as author ; Beautiful or ugly ; Notes towards an "Electronic gesture" ; On Vitruvius ; The cosmic city ; Topoi ; Concerning Japanese architecture ; Plans and sources of auditions and spectacles ; Architecture and listening to music -- Part III. Independent architectural projects : Xenakis as independent architect ; Project for an auditorium for Hermann Scherchen ; Summer home for François-Bernard Mâche ; Arts center projects ; Arts Center in Chaux-de-Fonds: project ; Project for an arts center in Shiraz-Persepolis ; Renovation and construction in Corsica, the Schneider Bergerie -- Cité de la Musique, Paris: competition, project ; Project for the home of R. and K. Reynolds ; Home away from home: Corsica -- Part IV. The polytopes : Xenakis' polytopes ; Polytopes ; The Polytope de Montréal ; Proposition for the French Pavilion at the Montreal World's Fair ; The Polytope de Montréal: an approximate scenario of light and visual art ; The Polytope de Montréal : Commentary ; The Polytope de Persépolis ; The Polytope de Persépolis: scenario ; The Polytope de Persépolis: program notes ; Open letter by Xenakis to Le Monde ; The Polytope de Cluny ; The Polytope de Mycènes ; The Polytope de Mycènes: presentation ; The Polytope de Mycènes: general program ; The Polytope de Mycènes: credits ; Xenakis' Diatope ; "World polytope" ; The "Beaubourg Polytope": preliminary studies ; The Diatope: a gesture of sound and light ; The Diatope: music to be seen ; Texts accompanying the Diatope -- Appendices : A. The UPIC / Sharon Kanach -- B. Synoptic table of Xenakis' life and works / Sharon Kanach -- C. Catalogue raisonné of Xenakis' architectural projects / Sven Sterken -- D. Selected bibliography / Makis Solomos.
Abstract This major work fills an important gap by presenting for the first time all of the projects, realizations and texts related to architecture by this trained engineer, one of Le Corbusier's closest assistants for 12 years. The material is presented and commented by Sharon Kanach who shared the rediscovery of this mostly-unpublished material with the composer as his last ambitious project. The material is presented under four main headings: The Le Corbusier Year, Xenakis as Independent Architect, Writings on Architecture, The Polytopes. Three major annexes will include: an up to date "Commented Bibliography of Writings By and On Xenakis" by Makis Solomos, a "Critical Index of Xenakis's Architecture" by Sven Sterken, plus a "Comparative Chronology of Xenakis's Life and Work" by Sharon Kanach. The latter's commentary throughout the book strives to bridge the reciprocal influences between music and architecture hidden or apparent in Xenakis œuvre. Music and Architecture represents the first volume in a series of critical editions of Xenakis's writings, a project currently under taken by Sharon Kanach, Makis Solomos, and Benoît Gibson, three leading Xenakis scholars, in collaboration with the Xenakis family and the Bibliothéque nationale de France in Paris (depository of the Xenakis Archives). At least five subsequent volumes will be published in the ew Pendragon Xenakis Series, dedicated to Xenakis's own writings as well as to related scholarly research by others. The two previous Xenakis volumes--Arts/Sciences: Alloys (1985) and the Pendragon Revised Edition of his seminal Formalized Music (1992)--will be moved into this series.
Bibliography noteIncludes bibliographical references and index.
LanguageTranslation from the French.
LCCN 2008013982
ISBN9781576471074
ISBN1576471071

Availability

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk NA1053.X46 A3513 2008 ✔ Available Place Hold