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LEADER 03396cam a2200409 a 4500

001 ocn154746678;

003 OCoLC;

005 20141212052728.0;

008 070726s2008 nyuafg b 001 0 eng ;

010 a| 2007030974;

020 a| 9781580462051q| (hardcover ;q| alk. paper);

020 a| 1580462057q| (alk. paper);

035 a| (Sirsi) o154746678;

035 a| (OCoLC)154746678;

049 a| EREM;

050 00 a| ML93b| .C32 2008;

082 00 a| 782.32/3202622| 22;

100 1 a| Candelaria, Lorenzo F.=| ^A1206329;

245 14 a| The Rosary Cantoral :b| ritual and social design in a chantbook from early Renaissance Toledo /c| Lorenzo Candelaria.;

260 a| Rochester, NY :b| University of Rochester Press,c| 2008.;

300 a| x, 212 pages, 30 pages of plates :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Eastman studies in music;

504 a| Includes bibliographical references (pages 191-205) and index.;

520 a| The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, the author approaches the Rosary Cantoral as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood dedicated to the rosary and aspects of the religious community it served: the Dominicans of San Pedro Martir de Toledo. This book presents a model for realizing the fuller significance of illuminated music manuscripts as cultural artifacts, and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins, subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht Durer), its rare Spanish chants for the Mass, and two striking musical works for multiple voices (one by Josquin Desprez and another on "L'homme arme"). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo.;

630 00 a| Rosary Cantoral.=| ^A1207847;

650 0 a| Illumination of books and manuscripts, Renaissancez| Spainz| Toledo.=| ^A86937;

830 0 a| Eastman studies in music.=| ^A494093;

994 a| C0b| ERE;

596 a| 3;

998 a| 3279722;

999 a| ML93 .C32 2008w| LCc| 1i| 30372014841420d| 7/14/2014f| 12/19/2024g| 3l| MCSm| JMUSICr| Ys| Yt| MCSSBKu| 3/8/2013x| BOOKz| MCIRCo| .STAFF. jjnb; enhanced 11/23/20 -jmusictech, 7/7/22 -jjam/jjab;

The Rosary Cantoral : ritual and social design in a chantbook from early Renaissance Toledo / Lorenzo Candelaria.

Author/creator	Candelaria, Lorenzo F.
Format	Book
Publication Info	Rochester, NY : University of Rochester Press, 2008.
Description	x, 212 pages, 30 pages of plates : illustrations, music ; 24 cm.
Subjects	Rosary Cantoral. Illumination of books and manuscripts, Renaissance--Spain. --Toledo. Music--Spain. --16th century. --History and criticism.

Series	Eastman studies in music Eastman studies in music. ^A494093
Contents	Introduction -- The mystery of the Rosary Cantoral -- San Pedro Mártir de Toledo -- "El cavaller de Colunya": a legend of the Rosary -- The emblem of the Five Wounds -- Hercules and Albrecht Dürer's Das Meerwunder -- Roses for the Blessed Virgin: the music -- The confraternity of Toledo and its patronage -- Epilogue.
Abstract	The Rosary Cantoral is a rare and beautifully decorated manuscript of Latin plainchant for the Catholic Mass compiled in Toledo, Spain, around the year 1500. In an engaging and richly interdisciplinary essay, the author approaches the Rosary Cantoral as a cultural artifact, unlocking the secrets behind its images and music to reveal the social history and rituals of an elite brotherhood dedicated to the rosary and aspects of the religious community it served: the Dominicans of San Pedro Martir de Toledo. This book presents a model for realizing the fuller significance of illuminated music manuscripts as cultural artifacts, and offers unprecedented insights into the social and devotional life of Toledo, Spain, around the turn of the sixteenth century. After solving the mystery of the Rosary Cantoral's origins, subsequent essays probe the meaning and cultural significance of the manuscript's iconography (including a border decoration after Albrecht Durer), its rare Spanish chants for the Mass, and two striking musical works for multiple voices (one by Josquin Desprez and another on "L'homme arme"). Ultimately, this book focuses on the extraordinary circumstances that engendered the compilation of the Rosary Cantoral around 1500: a system of patronage between a brotherhood of suspected heretics and a religious house that was a key supporter of the Inquisition in Toledo.
Bibliography note	Includes bibliographical references (pages 191-205) and index.
LCCN	2007030974
ISBN	9781580462051 (hardcover ; alk. paper)
ISBN	1580462057 (alk. paper)

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Music	Closed Stacks - Ask at Circulation Desk	ML93 .C32 2008	✔ Available	Place Hold

The Rosary Cantoral : ritual and social design in a chantbook from early Renaissance Toledo / Lorenzo Candelaria.

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