/LC.GIF&client=easterncarolinaedu)
The art of partimento : history, theory, and practice / by Giorgio Sanguinetti.
| Author/creator | Sanguinetti, Giorgio |
| Format | Book |
| Publication Info | New York : Oxford University Press, ©2012. |
| Description | xii, 385 pages : illustrations ; 26 cm |
| Subjects |
| Contents | Part one: History. Of some odd musical manuscripts ; What are partimenti? ; The partimento in Italy ; The Neapolitan Conservatori ; Teaching methods in the Naples Conservatories ; Partimento sources: transmission and typology ; A genealogy of masters -- Part two: Theory. Partimento as theory of composition ; The rules -- Part three: Practice. Prelude to realization ; The unfigured partimento ; The art of diminution ; Imitation ; Motivic coherence ; "Authentic" realizations -- Part four: A guide to realization. Lesson, prelude, modular etude ; Tutti/solo: Concerto and toccata ; Sonata ; Fantasia, variation, dance ; Imitative genres ; Fugue. |
| Abstract | At the height of the Enlightenment, four conservatories in Naples stood at the center of European composition. Maestros taught their students to compose with unprecedented swiftness and elegance using the partimento, an instructional tool derived from the basso continuo that encouraged improvisation as the path to musical fluency. Although the practice vanished in the early nineteenth century, its legacy lived on in the music of the next generation. This book chronicles the history of this long-forgotten Neapolitan art. The author has painstakingly reconstructed the oral tradition that accompanied these partimento manuscripts, now scattered throughout Europe. Beginning with the origins of the partimento in the circles of Corelli, Pasquini, and Alessandro Scarlatti in Rome and tracing it through the peak of the tradition in Naples, this book gives a glimpse into the daily life and work of an eighteenth century composer. This book is also a complete practical handbook to reviving the tradition today. Step by step, the author guides the aspiring composer through elementary realization to more advanced exercises in diminution, imitation, and motivic coherence. Based on the teachings of the original masters, the author challenges the reader to become a part of history, providing a variety of original partimenti in a range of genres, forms, styles, and difficulty levels along the way and allowing the student to learn the art of the partimento for themselves at their own pace. As both history and practical guide, this book presents a new and innovative way of thinking about music theory. The author's unique approach unites musicology and music theory with performance, which allows for a richer and deeper understanding than any one method alone, and offers students and scholars of composition and music theory the opportunity not only to understand the life of this fascinating tradition, but to participate in it as well. |
| Bibliography note | Includes bibliographical references (pages 372-378) and index. |
| LCCN | 2011015907 |
| ISBN | 9780195394207 (hardcover : alk. paper) |
| ISBN | 0195394208 (hardcover : alk. paper) |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Closed Stacks - Ask at Circulation Desk | MT49 .S26 2012 | ✔ Available | Place Hold |