Sixteenth-century Italian songs for solo voice and lute / by Leslie Chapman Hubbell.

Author/creator Hubbell, Leslie Chapman
Format Book
Publication Info©1982.
Description2 volumes (xiv, 649 leaves) : music ; [28 cm]
Subjects

Contents v. 1. Sixteenth-century Italian solo song: repertory and methodology -- Terminology -- General characteristics of the songs in the repertory -- Methodology. Transcription ; Musica ficta ; Concordances ; Voice and clef distribution ; Analysis: poetic form ; Analysis: musical form ; Analysis: description of the music ; Analysis: comparison by computer ; Organization of the study ; Objectives of the study -- Sixteenth-century Italian solo song: background. The vocal soloist in the cinquecento ; The lute in sixteenth-century Italy ; Text forms in sixteenth-century Italian songs ; Musical form in the light genres -- Seven collections of accompanied songs in score format. The first printed book of music for solo voice and lute ; Bossimensis' second book of accompanied solos ; The collection of frottole by Tromboncino and Cara ; Willaert's intabulations of madrigals by Verdelot ; The songs of the lutenist Jacomo Gorzanis ; The Napoletane arranged by Cornelio Antonelli ; A collection of intabulations by Fallamero -- Five collections in partbook format. Bellasio's collection of villanelle ; The dance songs of Giovan Giacomo Gastoldi ; Canzonette by Vecchi and his pupil Capi Lupi ; A musical entertainment by Vecchi ; Six madrigals by Rossi with lute intabulations.
Contents v. 2. Eight collections in choirbook format. Fiorino's songs in intabulations in choirbook format. Fiorino's songs intabulations by Parise ; A song collection published by Simone Verovio ; Vincenti's three volume reedition of Verovio (1589) ; Verovio's intabulations of four-voice songs ; The second Verovio anthology of three-voice secular songs ; A collection of Orologio's canzonette ; A dialogue for the Christmas season ; A collection of Ferrari's canzonette -- Sixteenth-century manuscripts containing songs for solo voice and lute. The Bottegari manuscript ; The Cavalcanti manuscript ; Songs intabulated by Galilei ; Four lute manuscripts which contain accompanied songs -- Summary and conclusions. The development of the solo song -- The virtuoso singer. Embellishment ; Expressiveness ; Level of vocal skill ; Voice types -- Instrumental texture and accompaniment style. Idiomatic techniques ; Accompaniment techniques ; Evolution of the lute -- Summary of results. The role of accompanied solos in the rise of monody ; Development of vocal skill during the sixteenth century ; The lute as an instrument of accompaniment -- Appendices. Inventory of sources ; Alphabetical index of text incipits ; Thematic index ; The computer program.
General noteVita.
General noteIncludes index.
Dissertation notePh.D. Northwestern University, Evanston, Ill. 1982.
Bibliography noteBibliography: leaves 558-572.
Reproduction noteJoyner- Photocopy. Ann Arbor, Mich. : University Microfilms International, 1984. 22 cm.

Availability

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk ML2833 .H83 1982A V. 1 ✔ Available Place Hold
Music Closed Stacks - Ask at Circulation Desk ML2833 .H83 1982A V. 2 ✔ Available Place Hold