Shakespeare and literary theory / Jonathan Gil Harris.

Author/creator Harris, Jonathan Gil
Format Book
Publication InfoOxford ; New York : Oxford University Press, 2010.
Descriptionviii, 224 pages ; 21 cm.
Subjects

SeriesOxford Shakespeare topics
Oxford Shakespeare topics. ^A445393
Contents Introduction : Shakespeare and theory -- Language and structure. Formalism : William Empson, Cleanth Brooks, Mikhail Bakhtin ; Structuralism : Roland Barthes, Roman Jakobson, René Girard ; Deconstruction : J. Hillis Miller, Paul de Man, Jacques Derrida ; Rhizome and actor-network theory : Gilles Deleuze, Michel Serres, Bruno Latour -- Desire and identity. Freudian psychoanalysis : Sigmund Freud, Ernest Jones, Melanie Klein ; Lachanian psychoanalysis : Jacques Lacan, Julia Kristeva, Slavoj Žižek ; Feminism : Virginia Woolf, Hélène Cixous, Elaine Showalter ; Queer theory : Eve Kosofsky Sedgwick, Jonathan Dollimore, Lee Edelman -- Culture and society. Marxism : Karl Marx, George Lukács, Bertolt Brecht ; Poststructuralist Marxisms : Terry Eagleton, Jacques Derrida, Frederic Jameson ; New Historicism and cultural materialism : MIchel Foucault, Stephen Greenblatt, Alan Sinfield ; Postcolonial theory : Wole Soyinka, Edward Said, Sara Ahmed.
Abstract How is it that the British literary critic Terry Eagleton can say that "it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein, and Derrida?" Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode--or several modes--of critical reflection inspired by, and emerging from, his writing. To name just a few examples: Karl Marx used Timon of Athens to illustrate aspects of his economic theory; psychoanalytic theorists from Sigmund Freud to Jacques Lacan have explained some of their most axiomatic positions with reference to Hamlet; Jacques Derrida's deconstructive philosophy is articulated in dialogue with Shakespeare's plays; French feminism's best-known essay is Hélène Cixous's meditation on Antony and Cleopatra; and postcolonial theory owes a large debt to Aimé Césaire's revision of The Tempest. By reading what theoretical movements have had to say about and in concert with Shakespeare, we can begin to get a sense of how much the DNA of contemporary literary theory contains a startling abundance of chromosomes that are of Shakespearian provenance.
Bibliography noteIncldues bibliographical references (p. [209]-218) and index.
LCCN 2010283182
ISBN9780199573394 (hbk.)
ISBN0199573395 (hbk.)
ISBN0199573387 (pbk.)
ISBN9780199573387

Availability

Library Location Call Number Status Item Actions
Joyner General Stacks PR2965 .H37 2010 ✔ Available Place Hold