The artistic turn : a manifesto / Kathleen Coessens, Darla Crispin, Anne Douglas.

Author/creator Coessens, Kathleen
Other author Crispin, Darla.
Other author Douglas, Anne, Dr.
Format Book
Publication InfoGhent, Belgium : Orpheus Instituut ; Leuven, Belgium : Distributed by Leuven University Press, ©2009.
Description192 pages : illustrations ; 24 cm.
Subjects

SeriesCollected writings of the Orpheus Institute. Subseries Orpheus Research Centre in Music (ORCiM) ; 01
Collected writings of the Orpheus Institute. Subseries Orpheus Research Centre in Music ; 01. ^A1041460
Contents Why art matters. Artists on the turn ; 'The eye of the needle' or 'journeying forth' ; Art: multiple journeys, multiple forms ; The concept of play -- Artistic research and scientific method: two cultures? A conquest of abundance ; A last scion in the family of research? (Method between science and the world ; Back to our scion) ; Recovering imagination: four artistic research projects ; Open-ended methodology as a quality of artistic research (Artistic research as ecologically situated research ; The artist as a meta-modern researcher ; Art-critical meta-analysis and semiotic interpretation) -- Deterritorializing the research space: the ways of knowing art. Knowledge, research spaces and art ; The map and the tracing ; Deterritorialization -- The ship sailing out: practical navigation and the lure of "L'horizon chimérique". The metaphor of the ship ; The artist's compass? Points in journeying forth ; The lessons of experience as a base for knowledge ; What is the nature of the relationship between art and experience? ; The interconnection of artistic practice and research (Leonard Bernstein and Glenn Gould: performance or experiment? ; Paul Klee: the world starting from a line and vice versa ; Jon Fabre: the introductory of the performer's body ; Helen Mayer and Newton Harrison: the encounter between art and ecology ; Allan Kaprow: the score and everyday experience) ; Some afterthoughts -- Doubts and vulnerability. The artist as hero ; Between beauty and truth: the search for transcendence and the world of illusions ; The performer and the objective/subjective problem (Why perform?) ; The expectations of... the artist and the audience (Public acceptance, extending the limits of the world ; Artistic research and the artist's vulnerability) -- Why artistic research matters. Artists and society: from court protection to knowledge-based institutions ; Art and the 'Knowledge society' ; Contemporary developments in education: what place for artists? ; Artistic research in the knowledge society: new opportunities ; A manifesto for the artist-researcher.
Abstract Despite innovative developments in research in-and-through the arts in the past decade, the emergent field of artistic research remains controversial, and is accepted with varying degrees of enthusiasm in academic institutions. It is our contention that the challenges and opportunities presented by this burgeoning discipline may be better understood by re-emphasising the centrality of the artist. Through a study of the interrelationship between artistic fields and theories of knowledge, and through some consciously metaphorical readings, we examine the contexts within which artistic research has developed.
Bibliography noteIncludes bibliographical references (pages 184-189).
ISBN9789490389000
ISBN9490389005

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML3797.1 .C64 2009 ✔ Available Place Hold