The age of humanism, 1540-1630 / edited by Gerald Abraham.
| Author/creator | Abraham, Gerald |
| Format | Book |
| Publication Info | London ; New York, NY : Oxford University Press, 1968. |
| Description | xxv, 978 pages : illustrations, facsimiles, music ; 26 cm. |
| Subjects |
| Series | New Oxford history of music ; v. 4 New Oxford history of music ; v. 4. ^A159522 |
| Contents | The French chanson / by Charles van den Borren. Origins of the chanson ; Characteristics of style ; The 'thirty-one chansons' ; The descriptive chanson ; Later chanson collections ; The leading composers ; Susato's collections: the larger pieces ; Susato's four-part books ; The chanson in the later sixteenth century ; The contribution of Lassus ; Flemish contemporaries of Lassus ; Guillaume Costeley ; The inspiration of Ronsard ; Vers mesurés ; Sweelinck -- The sixteenth-century madrigal / by Edward J. Dent. Carnival songs and frottole ; Frottola and madrigal ; The literary language of the madrigal ; The earliest madrigal-composers ; Beginnings of the madrigal style ; Rise of the five-part madrigal ; The madrigal poems ; The work of Willaert ; The advent of chromaticism ; Cipriano de Rore ; New tendencies after the mid-century ; The villanella and kindred forms ; The Transalpine madrigal ; Palestrina and the madrigal ; Fin de siècle tendencies ; Luca Marenzio ; Gesualdo da Venosa ; Monteverdi ; The madrigal comedy ; Vecchi's Amfiparnaso ; Banchieri and Guasparri Torelli ; The madrigal outside Italy ; The madrigal in England ; Byrd and Musica Transalpina ; Thomas Morley ; Weelkes and Wilbye ; Byrd's Psalmes, Songs, and Sonnets ; Minor English madrigalists ; Gibbons and Tomkins ; 'Apt for viols and voices' -- German secular song / by Kurt Gudewill. Climax and decline of the tenor song ; The Netherlanders and German song ; The revival of native composition in the 1570's ; Hans Leo Hassler ; Schütz and Schein ; The decline of the polyphonic secular Lied -- Solo song and cantata / by Nigel Fortune. Arranged song ; The Spanish vihuela-books ; Spanish romances ; The villancicos ; Ariosto and popular Italian song ; Monodic tendencies in villanella and canzonet ; The ladies of Ferrara ; The art of diminution ; Songs in the Intermedii ; The Camerata Fiorentina ; Vincenzo Galilei's polemics ; Caccini and Le Nuove musiche ; The poets of the solo madrigal ; Sigismondo d'India and others ; The aria ; Ottava and sonnet settings ; The cantata ; Popular strophic songs ; Development of the canzonet ; Aria with recitative ; Chamber duets ; Solo song in Germany ; The lute song in France ; Le Roy's publications ; French song in the early seventeenth century ; Guédron and the Récit ; Airs de Cour ; English solo songs of the mid-century ; Songs for the choirboy plays ; Later consort songs ; The English ayre ; The work of Dowland ; Campion and Rosseter ; Italian influences in the ayre ; Ornaments in manuscript versions -- |
| Contents | Latin church music on the continent, 1. The Franco-Flemings in the North / by Nanie Bridgman. Josquin's successors ; Nicolas Gombert ; Thomas Créquillon ; Clemens non Papa ; Richafort and some lesser figures ; Conclusion -- France in the sixteenth century (1520-1610) / by Francois Lesure. Origins of the French style ; French tendencies in mass and motet ; The Lyons school ; The Paris school ; Claude Goudimel ; The advent of Lassus ; 'Ronsard's musicians' ; The post-Tridentine reforms ; Catholic psalm-settings ; New tendencies in church music -- Central Europe / by H. F. Redlich. Isaac and his school ; Ludwig Senfl ; Senfl's masses ; Senfl's motets ; Isaac's other disciples ; Sixtus Dietrich ; Benedictus Ducis and Adam Rener ; Resinarius (Harzer) ; Hahnel, Bruck, and Mahu ; Thomas Stoltzer ; Vaet, Regnart, and Buus ; Johannes de Cleve ; Charles Luython ; Native German composers ; 'Handl, Gallus Vocatus' -- The Venetian school / by H. F. Redlich. Beginnings of the Venetian school ; Willaert and the Coro spezzato ; Willaert's masses ; Willaert's motets ; Cipriano de Rore ; Rore's masses ; Rore's motets ; Other associates of Willaert ; The Gabrielis -- Eastern Europe / by Gerald Abraham. Poland ; Bohemia -- Latin church music on the continent, 2. The perfection of the A cappella style / by Henry Coates and Gerald Abraham. The Palestrina style ; Palestrina's masses ; The 'Missa Papae Marcelli' ; Later masses ; Palestrina's parody masses ; Palestrina's motets ; 'Stabat Mater' and 'Song of Songs' ; Performance of Palestrina ; Lassus ; Lassus's style ; The masses ; The motets of Lassus ; The Penitential Psalms ; The magnificats ; Philippe de Monte ; De Monte's motets ; De Monte's masses ; Minor masters of the a cappella style ; Palestrina's pupils ; 'Reform' of Gregorian chant ; De Wert and Hassler -- Latin church music on the continent, 3. Spain and Portugal / by Higini Anglès. Introduction ; Characteristics of Spanish church music ; Charles V and his court chapel ; Philip II's attitude to music ; The principal cathedral schools of Spanish music ; Cristóbal de Morales ; Vázquez [Vásquez] and Pedro Guerrero ; Francisco Guerrero ; Juan Navarro ; Ceballos and other Andalusians ; The Castilian school ; Juan Pujol ; The Valencian school ; The Aragonese school ; Music in Portugal / by Gerald Abraham -- |
| Contents | Protestant music on the continent / by Théodore Gérold. Luther's views on church music ; The earliest Lutheran songbooks ; Luther as composer ; Luther and the mass ; Congregational performance of hymns ; Arrangements ; The hymn-collections ; 'Newe deudsche geistliche Gesenge' ; Rhaw as composer ; Rhaw's other publications ; Use of the organ ; Divergent tendencies ; Calvin and the Psalms ; Louis Bourgeois ; The Psalm-compositions of Goudimel and others ; Claude Le Jeune ; The Huguenot Psalter in other lands ; Germany in the late sixteenth century ; Eccard and Lechner ; Hassler and Michael Praetorius ; Lutheran Cantiones Sacrae ; Hermann Schein ; Samuel Scheidt ; Heinrich Schütz -- Church music in England / by Frank Ll. Harrison. Humanism and Lutheranism in the English Reformation ; The reform of church and liturgy ; Puritan attacks ; Persistence of the Catholic rites ; The Jacobean and Caroline ritualists ; Their musical 'innovations' ; Organs and other instruments ; The end of an era ; Last years of the Sarum rite: mass and antiphon ; Magnificat, respond, and hymn ; Other ritual forms ; Psalms ; Latin music after 1559: Tallis and Byrd ; Byrd's Cantiones and masses ; The Gradualia ; Ferrabosco, Morley, and others ; The earliest music for the English liturgy ; Metrical psalters ; Elizabethan sacred music, and Byrd's 1611 Psalmes ; The Jacobean revival ; Performance of Jacobean and Caroline Church music ; Tomkins -- Early Baroque church music / by H. F. Redlich. Baroque characteristics ; The role of instruments ; Monteverdi's Vespro ; Venetian influence in Rome ; Ecclesiastical monody ; Viadana's followers ; Monteverdi and the sacred monody ; Monteverdi's disciples ; The change of style in Germany ; The progressives ; Michael Praetorius -- Concerted instrumental music / by Ernst H. Meyer. The growth of instrumental music ; Music for voices or instruments ; Purely instrumental music ; Dance forms ; Pairs of dances ; Free instrumental forms ; Ricercari and fantasias ; Other free forms ; Number of parts ; Ortiz's Tratado ; The English fancy and 'In Nomine' ; Interaction of dance and free forms ; The rise of Italian instrumental music ; The instrumental canzon ; Giovanni Gabrieli ; The sonata ; Confusion of categories ; Gabrieli's followers ; Instrumental monody ; Origin of the trio sonata ; Formal developments ; Instrumental characteristics ; Italian experimentation ; Chamber music in England ; France ; The Netherlands ; Germany ; Poland and Bohemia -- |
| Contents | Solo instrumental music / by Willi Apel. The younger Cavazzoni ; Andrea Gabrieli ; Claudio Merulo ; Giovanni Gabrieli ; Minor Italians of the Cinquecento ; Cabezón ; Minor Spanish composers ; German keyboard music ; The Mulliner book ; The Virginal books ; English keyboard variations ; Dances in the Virginal books ; Farnaby and the genre-piece ; Sweelinck ; The Neapolitan school ; Italian dance music ; Frescobaldi ; The South German organists ; North German organists ; Samuel Scheidt ; Heinrich Scheidemann ; Jean Titelouze ; Minor French composers ; Spanish composers after Cabezón ; Aguilera de Heredia ; Coelho ; Correa de Arauxo ; Spanish lute music ; Lute variations ; Alonso de Mudarra ; Valderrábano ; Diego Pisador ; Miguel de Fuenllana ; Italian lute music ; Bacfarc and Gintzler ; French lute music ; German lute music ; English lute music / by Thurston Dart ; Solo music for other instruments -- Instruments and instrumental notation / by Gerald Hayes. Introductory ; The viols ; The violone ; Bows and bowing ; The viol as solo instrument ; The lyras ; The tromba marina ; Rebec, hurdy-gurdy, and crwth ; The violin family ; The lute ; Vihuela and guitar ; The cittern family ; The harp ; Types of organ ; Organ pedals ; Pitch ; Positive and regals ; The clavichord ; Virginals ; The shawm ; Hautbois and treble shawm ; The krummhorn ; The bassanello ; The cornamuse ; Bagpipes ; The phagotum ; Fagotto and curtal ; Sordone, doppione, and courtaut ; Table of reed nomenclature ; Rackett ; Tone-quailty of reed instruments ; The flute family ; Recorders ; Other fipple-flutes ; Transverse flute ; Trumpets and horns ; Sackbut ; The cornett family ; Serpent ; Drums ; Bells ; Cymbals ; Minor instruments ; Instrumental combinations ; Tablature ; Tuning ; Guitar and wind tablatures ; Keyboard tablatures -- Music and drama / by Edward J. Dent, revised by F. W. Sternfeld. The new style ; Renaissance drama ; The Intermedii ; Venetian festive music ; The Camerata in an Intermedio ; Festive music in Germany ; Jesuit and Protestant school dramas ; Schütz's Daphne ; Seelewig ; English comedians in Germany ; Religious and secular drama in Spain ; The Mascarade in France ; Influence of Baif's academy ; Le Balet comique de la Royne ; Later Ballets de cour ; Continental influences in England ; The masque ; Music in the English theatre -- Early Italian opera / by Simon Towneley. Architecture and stage design ; The Florentine Camerata ; Dafne ; Peri's and Caccini's Euridice ; Marco da Gagliano ; Monteverdi ; Cavalieri's Rappresentazione ; Later Roman operas ; The aesthetics of opera. |
| Local note | Joyner-FOR JOYNER MUSIC LIBRARY HOLDINGS OF THE SERIES, NEW OXFORD HISTORY OF MUSIC, SEARCH BY CALL NUMBER Music ML160 .N44. |
| Bibliography note | Includes bibliographical references (pages 845-909) and index. |
| LCCN | 68031926 |
Availability
| Library | Location | Call Number | Status | Item Actions |
|---|---|---|---|---|
| Music | Reference | ML160 .N44 VOL. 4 | ✔ Available | |
| Music | Music Stacks | ML160 .N44 VOL. 4 | ✔ Available | Place Hold |