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LEADER 03344cam a2200481 a 4500

001 ocn259254685;

003 OCoLC;

005 20141212044249.0;

008 090727s2009 enka b 001 0 eng d;

010 a| 2009464490;

020 a| 9781855661813 (acid-free paper);

020 a| 1855661810 (acid-free paper);

029 1 a| BWKb| L4818727;

029 1 a| AU@b| 000044540314;

029 1 a| NZ1b| 12901430;

035 a| (Sirsi) o259254685;

035 a| (OCoLC)259254685;

042 a| lccopycat;

049 a| EREE;

050 00 a| PQ6105b| .F57 2009;

082 04 a| 860.9;

100 1 a| Fischer, Susan L.=| ^A259599;

245 10 a| Reading performance :b| Spanish golden age theatre and Shakespeare on the modern stage /c| Susan L. Fischer.;

260 a| Woodbridge, Suffolk [England] ;a| Rochester, NY :b| Tamesis,c| 2009.;

300 a| xxiv, 368 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Colección Támesis. Serie A, Monografías ;v| 272;

504 a| Includes bibliographical references (p. [327]-352) and index.;

505 0 a| Foreword / Jonathan W. Thacker -- Calderon and semiological self-exorcism : El medico de su honra (The Physician of his Honor) -- Calderon and "L'illusion cinematographique'' subverted : Antes que todo es mi dama (Above All She's My Lady) -- Rojas and the interrogation of textual author(ity): La Celestina (The Spanish Bawd) -- Calderon and the ideology of egalitarianism "mas bien dado'' : El alcalde de Zalamea (The Mayor of Zalamea) -- Tirso de Molina and "deadly'' theatre : El vergonzoso en palacio (The Shy Man at Court) -- Lope's carnivalesque theatre of terror : Fuenteovejuna (The Sheepwell) -- Tirso and the restaging of eschatology : El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) -- Lope's aspectuality and performativity : El castigo sin venganza (Punishment without Revenge) -- Calderon and the "Warrant of Womanhood'' : Life's a Dream (La vida es sueno) -- Calderon and the contingency of radical tragedy : The Painter of Dishonour (El pintor de su deshonra) -- Lope and the problem of an ending : Peribanez (Peribanez y el comendador de Ocana) -- Lope and the politics of truth : The Dog in the Manger (El perm del hortelano) -- Lope and the masks of reality : Pedro et le Commandeur (Peribanez y el comendador de Ocana) -- Spanish appropriations of Shakespeare : El mercader de Venecia (The Merchant of Venice) -- French appropriation of Shakespeare : Le Marchand de Venise (The Merchant of Venice).;

600 10 a| Shakespeare, William,d| 1564-1616x| Stage history.=| ^A16748;

650 0 a| Spanish dramay| Classical period, 1500-1700x| History and criticism.=| ^A37369;

830 0 a| Colección Támesis.n| Serie A,p| Monografías ;v| 272.=| ^A493807;

949 a| PQ6105b| .F57 2009h| JOYNER48o| jmpli| 30372015200378;

994 a| C0b| ERE;

938 a| Baker and Taylorb| BTCPn| BK0007950299;

938 a| YBP Library Servicesb| YANKn| 2910464;

938 a| Blackwell Book Service UKb| BBUKn| L4818727c| 55.00;

596 a| 1;

998 a| 2137418;

999 a| PQ6105 .F57 2009w| LCc| 1i| 30372015200378d| 2/5/2010e| 1/21/2010l| JGESm| JOYNERr| Ys| Yt| JGESBKu| 1/7/2010x| BOOKz| JSTACKSo| .STAFF. jmpl;

Reading performance : Spanish golden age theatre and Shakespeare on the modern stage / Susan L. Fischer.

Author/creator	Fischer, Susan L.
Format	Book
Publication Info	Woodbridge, Suffolk [England] ; Rochester, NY : Tamesis, 2009.
Description	xxiv, 368 pages : illustrations ; 24 cm.
Subjects	Shakespeare, William, 1564-1616--Stage history. Spanish drama--Classical period, 1500-1700. --History and criticism.

Series	Colección Támesis. Serie A, Monografías ; 272 Colección Támesis. Serie A, Monografías ; 272. ^A493807
Contents	Foreword / Jonathan W. Thacker -- Calderon and semiological self-exorcism : El medico de su honra (The Physician of his Honor) -- Calderon and "L'illusion cinematographique'' subverted : Antes que todo es mi dama (Above All She's My Lady) -- Rojas and the interrogation of textual author(ity): La Celestina (The Spanish Bawd) -- Calderon and the ideology of egalitarianism "mas bien dado'' : El alcalde de Zalamea (The Mayor of Zalamea) -- Tirso de Molina and "deadly'' theatre : El vergonzoso en palacio (The Shy Man at Court) -- Lope's carnivalesque theatre of terror : Fuenteovejuna (The Sheepwell) -- Tirso and the restaging of eschatology : El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest) -- Lope's aspectuality and performativity : El castigo sin venganza (Punishment without Revenge) -- Calderon and the "Warrant of Womanhood'' : Life's a Dream (La vida es sueno) -- Calderon and the contingency of radical tragedy : The Painter of Dishonour (El pintor de su deshonra) -- Lope and the problem of an ending : Peribanez (Peribanez y el comendador de Ocana) -- Lope and the politics of truth : The Dog in the Manger (El perm del hortelano) -- Lope and the masks of reality : Pedro et le Commandeur (Peribanez y el comendador de Ocana) -- Spanish appropriations of Shakespeare : El mercader de Venecia (The Merchant of Venice) -- French appropriation of Shakespeare : Le Marchand de Venise (The Merchant of Venice).
Bibliography note	Includes bibliographical references (p. [327]-352) and index.
LCCN	2009464490
ISBN	9781855661813 (acid-free paper)
ISBN	1855661810 (acid-free paper)

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Joyner	General Stacks	PQ6105 .F57 2009	✔ Available	Place Hold

Reading performance : Spanish golden age theatre and Shakespeare on the modern stage / Susan L. Fischer.

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