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005 20141212031850.0;

008 910710s1991 nyua b 001 0 eng ;

010 a| 91026022;

019 a| 26549151;

020 a| 0313283451 (alk. paper);

035 a| (Sirsi) o24217682;

035 a| (OCoLC)24217682;

049 a| NPEEa| EREM;

050 4 a| ML3845b| .F47 1991;

082 00 a| 780/.12| 20;

092 a| 780.1b| F41p;

100 1 a| Ferrara, Lawrence,d| 1953-?| UNAUTHORIZED;

245 10 a| Philosophy and the analysis of music :b| bridges to musical sound, form, and reference /c| Lawrence Ferrara.;

300 a| xxii, 360 pages :b| illustrations ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Contributions to the study of music and dance ;v| no. 24,x| 0193-9041;

504 a| Includes bibliographical references (pages 335-352) and index.;

505 00 g| Musical significance and method.g| Referential meaning in music ;g| Should the method define the tasks?: a theoretical framework for sound, form, and reference --g| A philosophical ground.t| Husserl's phenomenology ;t| Heidegger's hermeneutic phenomenology ;t| Heidegger's philosophy of art ;t| Phenomenology and music --g| An eclectic method for musical analysis.g| An eclectic method for sound, form, and reference ;t| Bela Bartok's Improvisation #3, opus 20: an eclectic analysis ;t| David Zinn's Spanish sojourn, mov't. #3: an eclectic analysis.;

520 a| A musical experience is marked by the synthesis of passion and rationality, emotion and understanding, and body and mind. This book demonstrates that each method of musical analysis confines musical significance to a single level: formal methods explain musical syntax; phenomonological methods describe the sound-in-time; and hermeneutic approaches interpret referential meanings. The author devises an eclectic method that provides bridges for musical sound, form, and reference. In response to the multiplicity of levels of musical significance, his eclectic method draws upon a wide-ranging number of conventional and non-conventional approaches to musical analysis which results in a dialectic of methods. Referential meanings are concretized, clarified, and delimited by the degree to which they can be grounded in the sound-in-time and formal elements; the latter are reexamined, expanded, and enriched by referential insights. In the last two chapters, the eclectic method is tested through analyses of works by Bela Bartok and David Zinn. This book is intended for trained music listeners and performers, music analysts, musicologists, and those interested in aesthetics and the development of music and music education.;

650 0 a| Musicx| Philosophy and aesthetics.=| ^A18895;

650 0 a| Musical analysis.=| ^A113364;

653 0 a| Musica| Aesthetics;

830 0 a| Contributions to the study of music and dance ;v| no. 24.=| ^A466730;

590 a| Little-290532--305130043621S;

596 a| 3 5;

998 a| 1713800;

999 a| ML3845 .F47 1991w| LCc| 1i| 30372006233735d| 3/29/2017e| 3/21/2016f| 4/25/2024g| 4l| MSTm| JMUSICn| 11q| 5r| Ys| Yt| MGESBKu| 5/1/1992x| BOOKz| MCIRCo| .STAFF. enhanced 1/24/24 -jjab;

Philosophy and the analysis of music : bridges to musical sound, form, and reference / Lawrence Ferrara.

Author/creator	Ferrara, Lawrence, 1953-
Format	Book
Publication Info	New York : Greenwood Press, ©1991.
Description	xxii, 360 pages : illustrations ; 25 cm.
Subjects	Music--Philosophy and aesthetics. Musical analysis.

Series	Contributions to the study of music and dance ; no. 24, 0193-9041 Contributions to the study of music and dance ; no. 24. ^A466730
Contents	Musical significance and method. Referential meaning in music ; Should the method define the tasks?: a theoretical framework for sound, form, and reference -- A philosophical ground. Husserl's phenomenology ; Heidegger's hermeneutic phenomenology ; Heidegger's philosophy of art ; Phenomenology and music -- An eclectic method for musical analysis. An eclectic method for sound, form, and reference ; Bela Bartok's Improvisation #3, opus 20: an eclectic analysis ; David Zinn's Spanish sojourn, mov't. #3: an eclectic analysis.
Abstract	A musical experience is marked by the synthesis of passion and rationality, emotion and understanding, and body and mind. This book demonstrates that each method of musical analysis confines musical significance to a single level: formal methods explain musical syntax; phenomonological methods describe the sound-in-time; and hermeneutic approaches interpret referential meanings. The author devises an eclectic method that provides bridges for musical sound, form, and reference. In response to the multiplicity of levels of musical significance, his eclectic method draws upon a wide-ranging number of conventional and non-conventional approaches to musical analysis which results in a dialectic of methods. Referential meanings are concretized, clarified, and delimited by the degree to which they can be grounded in the sound-in-time and formal elements; the latter are reexamined, expanded, and enriched by referential insights. In the last two chapters, the eclectic method is tested through analyses of works by Bela Bartok and David Zinn. This book is intended for trained music listeners and performers, music analysts, musicologists, and those interested in aesthetics and the development of music and music education.
Local note	Little-290532--305130043621S
Bibliography note	Includes bibliographical references (pages 335-352) and index.
LCCN	91026022
ISBN	0313283451 (alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3845 .F47 1991	✔ Available	Place Hold

Philosophy and the analysis of music : bridges to musical sound, form, and reference / Lawrence Ferrara.

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