The church music of William Billings / by J. Murray Barbour.

Author/creator Barbour, J. Murray
Format Book
Publication InfoNew York : Da Capo Press, 1972 [©1960]
Descriptionxvi, 167 pages ; 23 cm.
Subjects

SeriesDa Capo Press music reprint series
Da Capo Press music reprint series. ^A259341
Contents Texts -- Rhythm and meter -- Melody -- Counterpoint and harmony -- Modality and tonality -- Texture and form -- Appendix A. Alphabetical index of Billings' psalm tunes -- Appendix B. Index of Billings' anthems by texts -- Appendix C. Selective index of Billings' psalm tunes by texts -- Appendix D. Index of non-Billings' psalm tunes -- Appendix E. Index of non-Billings' anthems by texts -- Appendix F. Source of secular examples.
Abstract Both in the extent and the substance of his work, William Billings was the most important composer of the pioneer period of American church music in the last third of the 18th century. His compositions consisted of anthems and psalm tunes -- sacred music except for a handful of the anthems. In his own day Billings was much admired. But even before his death a change of taste in church music had begun to take place, and this became so pronounced in a few years that Billings was almost completely forgotten except in certain rural sections of the South. In recent years an antiquarian interest in Americana has resulted in the publishing of some of Billings' psalms and anthems, including examples of the "fuguing tunes" with which he is chiefly, but erroneously, associated in the popular mind. Those who have sampled the music have found it fresh and enjoyable. They fail to understand why so many writers on musical subjects during the past half century have been both derogatory and patronizing in their appraisal of Billings' work. These detractors agree that he had tremendous enthusiasm and a certain dramatic flair; but, once these admissions have been made, the barbs have been thrust in deeply. Just how illiterate was Billings? It is the opinion of the present writer that Billings' detractors are almost totally wrong in their criticisms. His works do contain glaring faults and weaknesses; but they are seldom those of which he has been accused.
General noteReprint of the 1960 edition.
Bibliography noteIncludes bibliographical references (pages 159-163) and index.
LCCN 72039000
ISBN030670434X

Availability

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk ML410.B588 B4 1972 ✔ Available Place Hold