| Partial contents |
Portraits of presence: excavating traumatic identity in contemporary Catalan testimonies / Camila Loew -- Sound, image and the corporeal implication of witnessing in Derek Jarman's Blue / Roger Hallas -- Symbolic bodies, real pain: post-Soviet history, Boris Mikhailov and the impasse of documentary photography / Matthias Christen -- Re-collecting the collective: mediatised memory and the South African Truth and Reconciliation Commission / Stephanie Marlin-Curiel -- Since we forgot: remembrance and recognition of the Armenian genocide in virtual archives / Leshu Torchin -- False witness: combat entertainment and citizen training in the United States / Karen J. Hall -- The Grey space between: Gerhard Richter's 18. Oktober 1977 / Frances Guerin -- A Game that must be lost: Chris Marker replays Alain Resnais' Hiroshima mon amour / Jonathan Kear -- The Domestic vision of Vietnam home movies / Guy Westwell -- Constructing the image of postmemory / Tina Wasserman -- Haunting absences: witnessing loss in Doris Salcedo's Atrabilarios and beyond / Edlie L. Wong -- Picturing ruinscapes: the aerial photograph as image of historical trauma / Davide Deriu -- Not looking at lynching photographs / James Polchin -- Here and then: the act of remembering in Richard Dindo's documentaries / Marcy Goldberg -- Megatronic memories: Errol Morris and the politics of witnessing / Devin Orgeron, Marsha Orgeron. |
