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001 ocn187417745;

003 OCoLC;

005 20141212011647.0;

008 080102s2008 nyua b 001 0deng ;

010 a| 2007053042;

019 a| 182656757a| 182656758a| 232728493;

020 a| 9780521862387 (hardback);

020 a| 0521862388 (hardback);

020 a| 9780521680844 (pbk.);

020 a| 0521680840 (pbk.);

035 a| (Sirsi) o187417745;

035 a| (OCoLC)187417745;

049 a| EREM;

050 00 a| ML2054b| .C35 2008;

082 00 a| 782.1/42| 22;

245 04 a| The Cambridge companion to the musical /c| edited by William A. Everett and Paul R. Laird.;

250 a| Second edition.;

300 a| xv, 412 pages :b| illustrations ;c| 25 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Cambridge companions to music;

504 a| Includes bibliographical references (pages 372-385) and index.;

505 00 t| Adaptations and transformations: before 1940.t| American musical theatre before the twentieth century /r| Katherine K. Preston --t| Non-English-language musical theatre in the United States /r| John Koegel --t| Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900-1920 /r| Orly Leah Krasner --t| American and British operetta in the 1920s: romance, nostalgia and adventure /r| William A. Everett --t| Images of African Americans: African-American musical theatre, Showboat, and Porgy and Bess /r| John Graziano --t| The melody (and the words) linger on: American musical comedies of the 1920s and 1930s /r| Geoffrey Block --t| Maturations and formulations: 1940-1970.g| We said we wouldn't look back:t| British musical theatre, 1935-1960 /r| John Snelson --t| The coming of the musical play: Rodgers and Hammerstein /r| Ann Sears --t| The successors of Rodgers and Hammerstein from the 1940s to the 1960s /r| Thomas L. Riis and Ann Sears --t| Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein /r| Bruce D. McClung and Paul R. Laird --t| Evolutions and integrations: after 1970.t| Stephen Sondheim and the musical of the outsider /r| Jim Lovensheimer --t| Choreographers, directors and the fully integrated musical /r| Paul R. Laird --t| From Hair to Rent: is rock a four-letter word on Broadway? /r| Scott Warfield --t| The megamusical: the creation, internationalisation and impact of a genre /r| Paul Prece and William A. Everett --t| Something borrowed, something blue: the marriage of the musical and Europe /r| Judith Sebesta --t| New horizons: the musical at the dawn of the twenty-first century /r| Bud Coleman --t| Legacies and transformations.t| Why do they start to sing and dance all of a sudden?: examining the film musical /r| Graham Wood --t| Revisiting classic musicals: revivals, film, television and recordings /r| Jessica Sternfeld --t| The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked /r| Paul R. Laird.;

650 0 a| Musicalsx| History and criticism.=| ^A285350;

650 0 a| Musical theaterx| History.=| ^A271216;

700 1 a| Everett, William A.,d| 1962-e| editor.=| ^A485637;

700 1 a| Laird, Paul R.,e| editor.=| ^A391100;

830 0 a| Cambridge companions to music.=| ^A371619;

994 a| C0b| ERE;

596 a| 3;

998 a| 1450369;

999 a| ML2054 .C35 2008w| LCc| 1i| 30372014539321d| 7/16/2014e| 3/19/2012f| 4/9/2024g| 4l| MSTm| JMUSICn| 4p| $24.99q| 1r| Ys| Yt| MGESBKu| 11/3/2008x| BOOKz| MCIRCo| .STAFF. enhanced 1/26/23 -jjab;

The Cambridge companion to the musical / edited by William A. Everett and Paul R. Laird.

Other author	Everett, William A., 1962- editor.
Other author	Laird, Paul R., editor.
Format	Book
Edition	Second edition.
Publication Info	New York : Cambridge University Press, ©2008.
Description	xv, 412 pages : illustrations ; 25 cm.
Subjects	Musicals--History and criticism. Musical theater--History.

Series	Cambridge companions to music Cambridge companions to music. ^A371619
Contents	Adaptations and transformations: before 1940. American musical theatre before the twentieth century / Katherine K. Preston -- Non-English-language musical theatre in the United States / John Koegel -- Birth pangs, growing pains and sibling rivalry: musical theatre in New York, 1900-1920 / Orly Leah Krasner -- American and British operetta in the 1920s: romance, nostalgia and adventure / William A. Everett -- Images of African Americans: African-American musical theatre, Showboat, and Porgy and Bess / John Graziano -- The melody (and the words) linger on: American musical comedies of the 1920s and 1930s / Geoffrey Block -- Maturations and formulations: 1940-1970. We said we wouldn't look back: British musical theatre, 1935-1960 / John Snelson -- The coming of the musical play: Rodgers and Hammerstein / Ann Sears -- The successors of Rodgers and Hammerstein from the 1940s to the 1960s / Thomas L. Riis and Ann Sears -- Musical sophistication on Broadway: Kurt Weill and Leonard Bernstein / Bruce D. McClung and Paul R. Laird -- Evolutions and integrations: after 1970. Stephen Sondheim and the musical of the outsider / Jim Lovensheimer -- Choreographers, directors and the fully integrated musical / Paul R. Laird -- From Hair to Rent: is rock a four-letter word on Broadway? / Scott Warfield -- The megamusical: the creation, internationalisation and impact of a genre / Paul Prece and William A. Everett -- Something borrowed, something blue: the marriage of the musical and Europe / Judith Sebesta -- New horizons: the musical at the dawn of the twenty-first century / Bud Coleman -- Legacies and transformations. Why do they start to sing and dance all of a sudden?: examining the film musical / Graham Wood -- Revisiting classic musicals: revivals, film, television and recordings / Jessica Sternfeld -- The creation of a Broadway musical: Stephen Schwartz, Winnie Holzman, and Wicked / Paul R. Laird.
Bibliography note	Includes bibliographical references (pages 372-385) and index.
LCCN	2007053042
ISBN	9780521862387 (hardback)
ISBN	0521862388 (hardback)
ISBN	9780521680844 (pbk.)
ISBN	0521680840 (pbk.)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML2054 .C35 2008	✔ Available	Place Hold

The Cambridge companion to the musical / edited by William A. Everett and Paul R. Laird.

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