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001 ocn214322640;

003 OCoLC;

005 20141212011512.0;

008 080314t20082009paug b 001 0 eng ;

010 a| 2008011779;

019 a| 213451331;

020 a| 9781592136940 (cloth : alk. paper);

020 a| 159213694X (cloth : alk. paper);

035 a| (Sirsi) o214322640;

035 a| (OCoLC)214322640;

049 a| EREM;

050 00 a| ML210.5b| .M23 2008;

082 00 a| 780.972/09042| 22;

100 1 a| Madrid, Alejandro L.=| ^A765825;

245 10 a| Sounds of the modern nation :b| music, culture, and ideas in post-revolutionary Mexico /c| Alejandro L. Madrid.;

300 a| x, 210 pages :b| music ;c| 22 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies in Latin American and Caribbean music;

504 a| Includes bibliographical references (pages 191-204) and index.;

505 00 g| Introduction.t| History, ideas, musical writing, and the writing of music --t| Modernism, teleology, and identity: toward a cultural understanding of Julián Carrillo's Sonido 13 --t| The avant-garde as a site of identification: style and ideology in Carlos Chávez's early music --t| Manuel M. Ponce, from nineteenth-century Modernismo to twentieth-century modernism --t| The sounds of the nation, modernity, and tradition: the First National Congress of Music as synecdoche of discourses --t| Porfirian music in revolutionary times: Atzimba and the imagination of "The indigenous" --t| Ideas, canon, revolution, and places in history: Carlos Chávez and his relationships with Julián Carrillo and Manuel M. Ponce.;

520 a| This book explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. The author argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning. Madrid challenges the view that Latin American modernist music and other arts were mere imitations of European trends, advancing instead the argument that Latin American artists resignified European ideas according to their specific historical and cultural circumstances. His work shows how microtonal and futurist music, modernist and avant-garde aesthetics, as well as indigenist and indianist ideas entered a process of negotiation that ultimately shaped the ideological framework of twentieth-century Mexico.;

650 0 a| Nationalism in music.=| ^A47490;

830 0 a| Studies in Latin American and Caribbean music.=| ^A445520;

994 a| 92b| ERE;

910 a| PromptCat;

980 a| 2008-12-31b| 54.5d| 0e| 45.78f| 595114h| 40016192404i| ML 210.5 .M23 2008;

596 a| 3;

998 a| 1446041;

999 a| ML210.5 .M23 2008w| LCc| 1i| 30372014554122d| 6/16/2016e| 2/8/2016f| 3/11/2025g| 3l| MCSm| JMUSICn| 1r| Ys| Yt| MCSSBKu| 1/12/2009x| BOOKz| MCIRCo| .STAFF. 0;

Sounds of the modern nation : music, culture, and ideas in post-revolutionary Mexico / Alejandro L. Madrid.

Author/creator	Madrid, Alejandro L.
Format	Book
Publication Info	Philadelphia : Temple University Press, 2008, ©2009.
Description	x, 210 pages : music ; 22 cm.
Subjects	Music--Mexico. --20th century. --History and criticism. Nationalism in music.

Series	Studies in Latin American and Caribbean music Studies in Latin American and Caribbean music. ^A445520
Contents	Introduction. History, ideas, musical writing, and the writing of music -- Modernism, teleology, and identity: toward a cultural understanding of Julián Carrillo's Sonido 13 -- The avant-garde as a site of identification: style and ideology in Carlos Chávez's early music -- Manuel M. Ponce, from nineteenth-century Modernismo to twentieth-century modernism -- The sounds of the nation, modernity, and tradition: the First National Congress of Music as synecdoche of discourses -- Porfirian music in revolutionary times: Atzimba and the imagination of "The indigenous" -- Ideas, canon, revolution, and places in history: Carlos Chávez and his relationships with Julián Carrillo and Manuel M. Ponce.
Abstract	This book explores the development of modernist and avant-garde art music styles and aesthetics in Mexico in relation to the social and cultural changes that affected the country after the 1910-1920 revolution. The author argues that these modernist works provide insight into the construction of individual and collective identities based on new ideas about modernity and nationality. Instead of depicting a dichotomy between modernity and nationalism, Madrid reflects on the multiple intersections between these two ideas and the dialogic ways through which these notions acquired meaning. Madrid challenges the view that Latin American modernist music and other arts were mere imitations of European trends, advancing instead the argument that Latin American artists resignified European ideas according to their specific historical and cultural circumstances. His work shows how microtonal and futurist music, modernist and avant-garde aesthetics, as well as indigenist and indianist ideas entered a process of negotiation that ultimately shaped the ideological framework of twentieth-century Mexico.
Bibliography note	Includes bibliographical references (pages 191-204) and index.
LCCN	2008011779
ISBN	9781592136940 (cloth : alk. paper)
ISBN	159213694X (cloth : alk. paper)

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Sounds of the modern nation : music, culture, and ideas in post-revolutionary Mexico / Alejandro L. Madrid.

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