Contents |
Muses of pleasure: Louis XIV's early court ballet, 1651-1660 -- Muses of memory: Louis XIV's late court ballet, 1661-1669 -- Muses of satire: Le bourgeois gentilhomme & the utopia of spectacle -- Tragic interlude: reversals at the Paris Opéra, 1671-1697 -- Sappho, Cythera & the triumph of love: the ballet at the Paris Opéra, 1700-1713 -- Carnival, commedia dell'arte & the triumph of folly: the ballet at the Paris Opéra, 1699-1718 -- Watteau's Cythera, the opéra-ballet & the staging of pleasure. |
Abstract |
Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, the author tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority. |
Bibliography note | Includes bibliographical references (pages 253-279) and index. |
LCCN | 2008019417 |
ISBN | 9780226116389 (cloth : alk. paper) |
ISBN | 0226116387 (cloth : alk. paper) |