Tools

LEADER 02723cam a22005294a 4500

001 ocn220098192;

003 OCoLC;

005 20141212010908.0;

008 080325s2008 txuag b s001 0 eng ;

010 a| 2008013679;

015 a| GBA8A39662| bnb;

016 7 a| 0147031072| Uk;

020 a| 9781574412499 (cloth : alk. paper);

020 a| 1574412493 (cloth : alk. paper);

035 a| (Sirsi) o220098192;

035 a| (OCoLC)220098192;

043 a| n-us---;

049 a| EREE;

050 00 a| MT95b| .L37 2008;

082 00 a| 782.109732| 22;

100 1 a| Latham, Edward David.=| ^A790491;

245 10 a| Tonality as drama :b| closure and interruption in four twentieth-century American operas /c| Edward D. Latham.;

300 a| xv, 221 pages :b| illustrations, music ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (p. 193-210) and index.;

505 0 a| Tonality as drama : an introduction -- Dramatic closure : the Stanislavsky system and the attainment of character objectives -- Tonal closure : a Schenkerian approach to tonal drama -- The completed background line with open-ended coda : Scott Joplin's "grand opera" Treemonisha (1911) -- The multi-movement Anstieg or initial ascent : George Gershwin's "folk opera" Porgy and Bess (1935) -- The multi-movement initial arpeggiation : Kurt Weill's "Broadway opera" Street scene (1947) -- The prolonged permanent interruption : Aaron Copland's "operatic tone poem" The tender land (1954).;

600 10 a| Joplin, Scott,d| 1868-1917.t| Treemonisha.=| ^A495519;

600 10 a| Weill, Kurt,d| 1900-1950.t| Street scene.=| ^A576241;

600 10 a| Gershwin, George,d| 1898-1937.t| Porgy and Bess.=| ^A497511;

600 10 a| Copland, Aaron,d| 1900-1990.t| Tender land.=| ^A646854;

650 0 a| Operasx| Analysis, appreciation.=| ^A141976;

650 0 a| Operaz| United Statesy| 20th century.=| ^A19937;

994 a| 92b| ERE;

910 a| PromptCat;

938 a| Baker and Taylorb| BTCPn| BK0007786356;

938 a| Baker & Taylorb| BKTYc| 41.95d| 41.95i| 1574412493n| 0007786356s| active;

938 a| YBP Library Servicesb| YANKn| 2818064;

938 a| Coutts Information Servicesb| COUTn| 8194349c| 28.95 GBP;

938 a| Blackwell Book Serviceb| BBUSn| R4740966c| $41.95;

980 a| 2008-11-12b| 41.95d| 0e| 35.24f| 556152h| 40016013956i| MT 95 .L37 2008;

596 a| 3;

998 a| 1440377;

999 a| MT 95 .L37 2008w| LCc| 1i| 30372014529090d| 5/8/2025e| 2/5/2025f| 5/15/2024g| 5l| MSTm| JMUSICn| 6q| 2r| Ys| Yt| MGESBKu| 11/20/2008x| BOOKz| MCIRCo| .STAFF. 0;

Tonality as drama : closure and interruption in four twentieth-century American operas / Edward D. Latham.

Author/creator	Latham, Edward David
Format	Book
Publication Info	Denton, Tex. : University of North Texas Press, ©2008.
Description	xv, 221 pages : illustrations, music ; 24 cm
Subjects	Joplin, Scott, 1868-1917. Treemonisha. Weill, Kurt, 1900-1950. Street scene. Gershwin, George, 1898-1937. Porgy and Bess. Copland, Aaron, 1900-1990. Tender land. Operas--Analysis, appreciation. Opera--United States. --20th century.

Contents	Tonality as drama : an introduction -- Dramatic closure : the Stanislavsky system and the attainment of character objectives -- Tonal closure : a Schenkerian approach to tonal drama -- The completed background line with open-ended coda : Scott Joplin's "grand opera" Treemonisha (1911) -- The multi-movement Anstieg or initial ascent : George Gershwin's "folk opera" Porgy and Bess (1935) -- The multi-movement initial arpeggiation : Kurt Weill's "Broadway opera" Street scene (1947) -- The prolonged permanent interruption : Aaron Copland's "operatic tone poem" The tender land (1954).
Bibliography note	Includes bibliographical references (p. 193-210) and index.
LCCN	2008013679
ISBN	9781574412499 (cloth : alk. paper)
ISBN	1574412493 (cloth : alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	MT 95 .L37 2008	✔ Available	Place Hold

Tonality as drama : closure and interruption in four twentieth-century American operas / Edward D. Latham.

Click here for more information about this title

Availability