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LEADER 03401cam a22004334a 4500

001 ocn185095618;

003 OCoLC;

005 20141212010908.0;

008 071220s2009 caug b s001 0 eng ;

010 a| 2007052243;

019 a| 225871571;

020 a| 9780520249790 (cloth : alk. paper);

020 a| 0520249798 (cloth : alk. paper);

035 a| (Sirsi) o185095618;

035 a| (OCoLC)185095618;

049 a| EREM;

050 00 a| ML300b| .T38 2009;

082 00 a| 780.9472| 22;

100 1 a| Taruskin, Richard.=| ^A134452;

245 10 a| On Russian music /c| Richard Taruskin.;

300 a| 407 pages :b| music ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Ahmanson Foundation humanities endowment fund imprint;

504 a| Includes bibliographical references and index.;

505 00 t| Some thoughts on the history and historiography of Russian music --t| For Ukraine, he's a native son, regardless --t| "Classicism" à la russe --t| A wonderful beginning --t| Dargomïzhsky and his Stone guest --t| Pathetic symphonist: Chaikovsky [Tchaikovsky], Russia, sexuality and the study of music --t| Chaikovsky and the literary folk: a study in misplaced derision --t| The great symbolist opera --t| Chaikovsky as symphonist --t| Russian originals, de- and re-edited --t| A new, new Boris? --t| Christian themes in Russian opera: a millennial essay --t| The case for Rimsky-Korsakov --t| Kitezh: religious art of an atheist --t| Sex and race, Russian style --t| Yevreyi and Zhidy: a memoir, a survey, and a plea --t| The antiliterary man: Diaghilev and music --t| From fairy tale to opera in four moves --t| To cross that sacred edge: notes on a fiery angel --t| Prokofieff's [Prokofiev] return --t| Tone, style, and form in Prokofieff's Soviet operas --t| Great artists serving Stalin like a dog --t| Stalin lives on in the concert hall, but why? --t| The last symphony? --t| For Russian music mavens, a fabled beast is bagged --t| Restoring comrade Roslavets --t| When serious music mattered --t| Casting a great composer as a fictional hero --t| Shostakovich's Bach: a pill to purge Stalinism --t| Five operas and a symphony --t| Hearing cycles --t| Of mice and Mendelssohn --t| Current chronicle: Molchanov's The Dawns Are Quiet Here --t| The rising Soviet mists yield up another voice --t| Where is Russia's new music? Iowa, that's where --t| North (Europe) by northwest (America).;

520 a| This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.;

650 0 a| Musical criticism.=| ^A37886;

650 0 a| Musicz| Russia (Federation)x| History and criticism.=| ^A1240331;

830 0 a| Ahmanson Foundation humanities endowment fund imprint.?| UNAUTHORIZED;

994 a| 92b| ERE;

910 a| PromptCat;

980 a| 2008-11-12b| 39.95d| 0e| 33.56f| 556152h| 40016013952i| ML 300 .T38 2009;

596 a| 3;

998 a| 1440374;

999 a| ML300 .T38 2009w| LCc| 1i| 30372016910066d| 12/1/2022e| 8/30/2022f| 2/25/2024g| 3l| MSTm| JMUSICn| 8q| 3r| Ys| Yt| MGESBKu| 6/23/2017x| BOOKz| MCIRCo| .STAFF. jjnb;

On Russian music / Richard Taruskin.

Author/creator	Taruskin, Richard
Format	Book
Publication Info	Berkeley : University of California Press, ©2009.
Description	407 pages : music ; 24 cm
Subjects	Musical criticism. Music--Russia (Federation). --History and criticism.

Series	Ahmanson Foundation humanities endowment fund imprint Ahmanson Foundation humanities endowment fund imprint. UNAUTHORIZED
Contents	Some thoughts on the history and historiography of Russian music -- For Ukraine, he's a native son, regardless -- "Classicism" à la russe -- A wonderful beginning -- Dargomïzhsky and his Stone guest -- Pathetic symphonist: Chaikovsky [Tchaikovsky], Russia, sexuality and the study of music -- Chaikovsky and the literary folk: a study in misplaced derision -- The great symbolist opera -- Chaikovsky as symphonist -- Russian originals, de- and re-edited -- A new, new Boris? -- Christian themes in Russian opera: a millennial essay -- The case for Rimsky-Korsakov -- Kitezh: religious art of an atheist -- Sex and race, Russian style -- Yevreyi and Zhidy: a memoir, a survey, and a plea -- The antiliterary man: Diaghilev and music -- From fairy tale to opera in four moves -- To cross that sacred edge: notes on a fiery angel -- Prokofieff's [Prokofiev] return -- Tone, style, and form in Prokofieff's Soviet operas -- Great artists serving Stalin like a dog -- Stalin lives on in the concert hall, but why? -- The last symphony? -- For Russian music mavens, a fabled beast is bagged -- Restoring comrade Roslavets -- When serious music mattered -- Casting a great composer as a fictional hero -- Shostakovich's Bach: a pill to purge Stalinism -- Five operas and a symphony -- Hearing cycles -- Of mice and Mendelssohn -- Current chronicle: Molchanov's The Dawns Are Quiet Here -- The rising Soviet mists yield up another voice -- Where is Russia's new music? Iowa, that's where -- North (Europe) by northwest (America).
Abstract	This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
Bibliography note	Includes bibliographical references and index.
LCCN	2007052243
ISBN	9780520249790 (cloth : alk. paper)
ISBN	0520249798 (cloth : alk. paper)

On Russian music / Richard Taruskin.

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