Elective affinities : musical essays on the history of aesthetic theory / Lydia Goehr.

Author/creator Goehr, Lydia
Format Book
Publication InfoNew York : Columbia University Press, ©2008.
Descriptionxx, 386 pages ; 25 cm.
Subjects

SeriesColumbia themes in philosophy, social criticism, and the arts
Columbia themes in philosophy, social criticism, and the arts. ^A699779
Contents Doppelbewegung: the musical movement of philosophy and the philosophical movement of music -- The "Ode to joy": music and musicality in tragic culture --For the birds/Against the birds: modernist narratives on the end of art -- Explosive experiments and the fragility of the experimental -- The pastness of the work: Albert Speer and the monumentalism of intentional ruins -- The musicality of violence: on the art and politics of displacement -- Film as visual music: duplication, dissonance, and displacement -- Amerikamüde/Europamüde: the actuality of American opera.
Abstract This book focuses on the history of elective affinities between philosophy and music from German classicism, romanticism, and idealism to the modernist aesthetic theory of Theodor W. Adorno and Arthur C. Danto. Aesthetic theory, the author argues, depends on a dynamic philosophy of history centered on tendencies, yearnings, needs, and potentialities. With this in mind, she recasts the theses of Adorno and Danto regarding the death or end of philosophy, art, music, and human experience as arguments for continuation and survival. This book tracks the migration of aesthetic and critical theory from Germany to the United States following the catastrophic period of the twentieth century marked by the Second World War.
Bibliography noteIncludes bibliographical references (pages 339-362) and index.
LCCN 2008020307
ISBN9780231144803 (cloth : alk. paper)
ISBN0231144806 (cloth : alk. paper)

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML3800 .G5756 2008 ✔ Available Place Hold