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LEADER 04377cam a22004574a 4500

001 ocn183179487;

003 OCoLC;

005 20141212003046.0;

008 071129s2008 nyua b 001 0 eng ;

010 a| 2007048625;

019 a| 182656765;

020 a| 9781576471234;

020 a| 1576471233;

029 1 a| NZ1b| 11680208;

035 a| (Sirsi) o183179487;

035 a| (OCoLC)183179487;

041 1 a| engh| swe;

049 a| EREM;

050 00 a| ML3845b| .E2913 2008;

082 00 a| 781.1/72| 22;

100 1 a| Edström, Karl-Olof,d| 1945-=| ^A770636;

240 10 a| Annan berättelse om den västerländska musikhistorien, och det estetiska projektet.l| English=| ^A770637;

245 12 a| A different story :b| aesthetics and the history of Western music /c| by Olle Edström.;

300 a| 309 pages :b| illustrations ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Aesthetics in music ;v| no. 8;

504 a| Includes bibliographical references (pages 287-301) and index.;

505 0 a| Introduction. A declaration of intent ; A controversial term ; How common is the term in music today? ; A presentation of the problem ; Material, method and purpose ; The organization of this text -- Homo aestheticus. Other voices ; Ellen Dissanayke's anthropology ; Speech as a precondition for, and analogy to music ; Steven Pinker's perspective ; "Music is an enigma" -- The Greeks. In black and white ; Three thousand years ago ; An unusually revolutionary time ; A summary discussion ; The loadbearing capacity of a thought -- The Age of Enlightenment. The birth of aesthetics ; On music's breadth and function ; Socio-cultural conditions ; What counts as art? ; Aesthetics as ideology ; Visits in time ; A contemporary journey ; A few other journeys ; In Germany ; Swedish observations ; Music's structures: music's functions ; Listening to music in concert ; The formation of a code of values ; Sing Burghers, farmers and workers ; Instrumental music between the inner and outer world ; In the work "itself" ; Other social models: Habermas and Luhmann ; From theory to social empire ; Beethoven's public ; New structures ; Aesthetic II: a summary of discussion -- A time of consolidation. Introduction ; The difference becomes set in stone ; Four thousand wandering virtuosi ; A Swedish example from Göteborg ; Swedish music journalists ; Music in the salons: intimate scenes of home ; Use and status ; The Schumanns and salon music ; From 1850 towards the twentieth century ; Different ways of listening ; A common bourgeois form ; More on song's underrated importance ; Autonomous discussion -- A period of expansion. Introduction ; Changes in art music ; Some knew ; Many disembark ; Music spreads out ; Mass media: new ways to use music ; Listening to music on the radio ; Ethereal music and aesthetics ; Education, and/or, enjoyment ; Is it possible to define art or the aesthetic experience? ; Consumption and aesthetics ; Personal use -- The present: the use of music: the transformation of aesthetics. Introduction ; Youth music and aesthetics ; "The aesthetics of rock" ; Wicke: East Germany ; Postmodern times ; Simon Frith's "approach to music and society" ; Everyday aesthetics in youth culture ; A sociological view of aesthetics ; Social change leads to new aesthetic ground rules ; Late modern changes ; The thoroughly aesthetified society ; From æI to æ? ; Society of experience ; One, or the other ; Both, and ; Conclusion: Tying up loose ends.;

520 a| This book examines how aesthetics have been used over several centuries in both popular and art music. It draws upon a broad spectrum of original sources and incorporates the work of writers outside the mainstream of established aesthetics discourse.;

650 0 a| Musicx| Philosophy and aesthetics.=| ^A18895;

650 0 a| Musicx| History and criticism.=| ^A18818;

700 1 a| Speerstra, Joel,e| editor.=| ^A603606;

830 0 a| Aesthetics in music ;v| no. 8.=| ^A395722;

994 a| C0b| ERE;

596 a| 3;

998 a| 1351236;

999 a| ML3845 .E2913 2008w| LCc| 1i| 30372014413246d| 12/14/2015e| 11/15/2015f| 4/25/2024g| 4l| MSTm| JMUSICn| 6q| 4r| Ys| Yt| MGESBKu| 4/23/2008x| BOOKz| MCIRCo| .STAFF. enhanced 1/23/24 -jjab;

A different story : aesthetics and the history of Western music / by Olle Edström.

Author/creator	Edström, Karl-Olof, 1945-
Other author	Speerstra, Joel, editor.
Format	Book
Publication Info	Hillsdale, NY : Pendragon Press, ©2008.
Description	309 pages : illustrations ; 24 cm.
Subjects	Music--Philosophy and aesthetics. Music--History and criticism.

Uniform title	Annan berättelse om den västerländska musikhistorien, och det estetiska projektet. English
Series	Aesthetics in music ; no. 8 Aesthetics in music ; no. 8. ^A395722
Contents	Introduction. A declaration of intent ; A controversial term ; How common is the term in music today? ; A presentation of the problem ; Material, method and purpose ; The organization of this text -- Homo aestheticus. Other voices ; Ellen Dissanayke's anthropology ; Speech as a precondition for, and analogy to music ; Steven Pinker's perspective ; "Music is an enigma" -- The Greeks. In black and white ; Three thousand years ago ; An unusually revolutionary time ; A summary discussion ; The loadbearing capacity of a thought -- The Age of Enlightenment. The birth of aesthetics ; On music's breadth and function ; Socio-cultural conditions ; What counts as art? ; Aesthetics as ideology ; Visits in time ; A contemporary journey ; A few other journeys ; In Germany ; Swedish observations ; Music's structures: music's functions ; Listening to music in concert ; The formation of a code of values ; Sing Burghers, farmers and workers ; Instrumental music between the inner and outer world ; In the work "itself" ; Other social models: Habermas and Luhmann ; From theory to social empire ; Beethoven's public ; New structures ; Aesthetic II: a summary of discussion -- A time of consolidation. Introduction ; The difference becomes set in stone ; Four thousand wandering virtuosi ; A Swedish example from Göteborg ; Swedish music journalists ; Music in the salons: intimate scenes of home ; Use and status ; The Schumanns and salon music ; From 1850 towards the twentieth century ; Different ways of listening ; A common bourgeois form ; More on song's underrated importance ; Autonomous discussion -- A period of expansion. Introduction ; Changes in art music ; Some knew ; Many disembark ; Music spreads out ; Mass media: new ways to use music ; Listening to music on the radio ; Ethereal music and aesthetics ; Education, and/or, enjoyment ; Is it possible to define art or the aesthetic experience? ; Consumption and aesthetics ; Personal use -- The present: the use of music: the transformation of aesthetics. Introduction ; Youth music and aesthetics ; "The aesthetics of rock" ; Wicke: East Germany ; Postmodern times ; Simon Frith's "approach to music and society" ; Everyday aesthetics in youth culture ; A sociological view of aesthetics ; Social change leads to new aesthetic ground rules ; Late modern changes ; The thoroughly aesthetified society ; From æI to æ? ; Society of experience ; One, or the other ; Both, and ; Conclusion: Tying up loose ends.
Abstract	This book examines how aesthetics have been used over several centuries in both popular and art music. It draws upon a broad spectrum of original sources and incorporates the work of writers outside the mainstream of established aesthetics discourse.
Bibliography note	Includes bibliographical references (pages 287-301) and index.
LCCN	2007048625
ISBN	9781576471234
ISBN	1576471233

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3845 .E2913 2008	✔ Available	Place Hold

A different story : aesthetics and the history of Western music / by Olle Edström.

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