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Contents |
Introduction: femininity through the looking-glass -- 'That that is, is': the bondage of stories in Jean Ingelow's Mopsa the fairy (1869) -- MacDonald's fallen angel in 'The light princess' (1864) -- Drawing 'muchnesses' in Lewis Carroll's Alice's adventures in wonderland (1865) -- Taming the female body in Juliana Horatia Ewing's 'Amelia and the dwarfs' (1870) and Christina Rossetti's Speaking likenesses (1874) -- A journey through the crystal palace: Rhoda Broughton's politics of plate-glass in Not wisely but too well (1867) -- Investigating books of beauties in Charles Dickens's Bleak House (1853) and M.E. Braddon's Lady Audley's secret (1862) -- Shaping the female consumer in Wilkie Collins's No name (1862) -- Rachel Leverson and the London beauty salon: female aestheticism and criminality in Wilkie Collins's Armadale (1864) -- Wilkie Collins's modern Snow White: arsenic consumption and ghastly complexions in The law and the lady (1875). |
Bibliography note | Includes bibliographical references (p. [177]-184) and index. |
LCCN | 2007010451 |
ISBN | 9780754660347 (alk. paper) |
ISBN | 0754660346 (alk. paper) |