Tools

LEADER 02087cam a22003974a 4500

001 ocn148851123;

003 OCoLC;

005 20141211230619.0;

008 070626s2007 paug b s001 0 eng ;

010 a| 2007026535;

020 a| 9780271031989 (cloth : alk. paper);

020 a| 0271031980 (cloth : alk. paper);

035 a| (Sirsi) o148851123;

035 a| (OCoLC)148851123;

049 a| EREM;

050 00 a| ML3853b| .T56 2007;

082 00 a| 781.46/1172| 22;

100 1 a| Thom, Paul.=| ^A303126;

245 14 a| The musician as interpreter /c| Paul Thom.;

300 a| xxv, 101 pages :b| music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies of the Greater Philadelphia Philosophy Consortium;

504 a| Includes bibliographical references (pages 93-97) and index.;

505 0 a| Transcriptions -- Variations -- Realizations -- Interpretations.;

520 a| This book aims to make the case that the activities of transcribing, varying, and realizing music are all forms of interpretation--and, indeed, that performative interpretation overall can be seen as a paradigm of what interpretation is. The author devotes a chapter to each of these three activities and, to make his philosophical points musically concrete, provides a wealth of illustrations ranging from classical music to jazz and involving performers as diverse as Toscanini and Billie Holiday.;

650 0 a| Musicx| Interpretation (Phrasing, dynamics, etc.)x| Philosophy and aesthetics.=| ^A31204;

650 0 a| Musicx| Performancex| Philosophy and aesthetics.=| ^A31205;

830 0 a| Studies of the Greater Philadelphia Philosophy Consortium.=| ^A476698;

994 a| C0b| ERE;

596 a| 3;

998 a| 1270242;

999 a| ML3853 .T56 2007w| LCc| 1i| 30372014124991d| 7/17/2014e| 11/25/2013f| 4/25/2024g| 4l| MSTm| JMUSICn| 3r| Ys| Yt| MGESBKu| 10/30/2007x| BOOKz| MCIRCo| .STAFF. enhanced 1/31/24 -jjab;

The musician as interpreter / Paul Thom.

Author/creator	Thom, Paul
Format	Book
Publication Info	University Park, PA : Pennsylvania State University Press, ©2007.
Description	xxv, 101 pages : music ; 24 cm.
Subjects	Music--Interpretation (Phrasing, dynamics, etc.). --Philosophy and aesthetics. Music--Performance. --Philosophy and aesthetics.

Series	Studies of the Greater Philadelphia Philosophy Consortium Studies of the Greater Philadelphia Philosophy Consortium. ^A476698
Contents	Transcriptions -- Variations -- Realizations -- Interpretations.
Abstract	This book aims to make the case that the activities of transcribing, varying, and realizing music are all forms of interpretation--and, indeed, that performative interpretation overall can be seen as a paradigm of what interpretation is. The author devotes a chapter to each of these three activities and, to make his philosophical points musically concrete, provides a wealth of illustrations ranging from classical music to jazz and involving performers as diverse as Toscanini and Billie Holiday.
Bibliography note	Includes bibliographical references (pages 93-97) and index.
LCCN	2007026535
ISBN	9780271031989 (cloth : alk. paper)
ISBN	0271031980 (cloth : alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3853 .T56 2007	✔ Available	Place Hold

The musician as interpreter / Paul Thom.

Click here for more information about this title

Availability