Music in the post-9/11 world / edited by Jonathan Ritter, J. Martin Daughtry.

Other author Ritter, Jonathan, editor.
Other author Daughtry, J. Martin, editor.
Format Book
Publication InfoNew York : Routledge, ©2007.
Descriptionxxxi, 328 pages : illustrations, music ; 24 cm
Subjects

Variant title Music in the post nine/eleven world
Contents Music, the United States, and the mass media after 9/11. Pop goes to war, 2001-2004: U.S. popular music after 9/11 / Reebee Garofalo -- "America: a tribute to heroes": music, mourning, and the unified American community / Kip Pegley and Susan Fast -- The sounds of American and Canadian television news after 9/11: entoning horror and grief, fear and anger / James Deaville -- Models of charity and spirit: Bruce Springsteen, 9/11, and the War on Terror / Bryan Garman -- Double voices of musical censorship after 9/11 / Martin Scherzinger -- "Have you forgotten?": Darryl Worley and the musical politics of Operation Iraqi Freedom / Peter J. Schmelz -- For alle Menschen?: classical music and remembrance after 9/11 / Peter Tregear -- Music and 9/11 beyond the United States. Terror in an Andean key: peasant cosmopolitans interpret 9/11 / Jonathan Ritter -- Exploding myths in Morocco and Senegal: Sufis making music after 9/11 / Larry Blumenfeld -- Corridos of 9/11: Mexican ballads as commemorative practice / John Holmes McDowell -- "I'll tell you why we hate you!": Shaʻbān ʻAbd al-Raḥīm and Middle Eastern reactions to 9/11 / James R. Grippo -- 9/11 and the politics of music-making in Afghanistan / Veronica Doubleday.
Abstract This is the first book to examine the crucial role that music has played in the world's reaction to the attacks of September 11, 2001. Several authors eloquently describe how the events of September 11 served as a direct catalyst for artistic expression and commentary. This is one dimension of music in the post-9/11 world. Others approach the topic from a different angle, demonstrating how political and military actions that were initiated in the wake of 9/11 profoundly altered the environment in which music was created and performed. Bills like the Patriot Act have indirectly affected popular music by discouraging the expression of dissent, while major media conglomerates-that control radio, TV, and newspapers-have self-censored the music that is heard over the airwaves and reviewed in the media.
Bibliography noteIncludes bibliographical references (pages 309-311) and index.
LCCN 2007007584
ISBN9780415978064
ISBN0415978068
ISBN9780415978071
ISBN0415978076

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML3918.P67 M83 2007 ✔ Available Place Hold