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LEADER 02739cam a2200373 a 4500

001 ocm82671855;

003 OCoLC;

005 20141211195226.0;

008 070122s2007 enkag b 001 0 eng ;

020 a| 9780521851664 (hbk.);

020 a| 0521851661 (hbk.);

035 a| (Sirsi) o82671855;

035 a| (OCoLC)82671855;

049 a| EREM;

050 4 a| ML410.S283b| C44 2007;

082 04 a| 780.922| 22;

100 1 a| Cherlin, Michael.=| ^A719673;

245 10 a| Schoenberg's musical imagination /c| Michael Cherlin.;

260 a| Cambridge ;a| New York :b| Cambridge University Press,c| 2007.;

300 a| xvi, 397 pages :b| illustrations, music ;c| 26 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Music in the 20th century;

504 a| Includes bibliographical references (pages 384-389) and indexes.;

505 00 g| A passing of worlds:t| Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century --g| Dialectical opposition in Schoenberg's music and thought --t| Dramatic conflict in Pelleas und Melisande --t| Motive and memory in Schoenberg's First String Quartet --t| Uncanny expressions of time in the music of Arnold Schoenberg --t| The tone row as the source of dramatic conflict in Moses und Aron --t| The String Trio: metaleptic Schoenberg.;

520 a| No composer was more responsible for changes in the landscape of twentieth century music than Schoenberg, and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas, and scholars without an understanding of the formidable musical technique are ill-equipped to understand the music. This book is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer, and their impact on his ever-changing compositional style over the course of this remarkable career.;

600 10 a| Schoenberg, Arnold,d| 1874-1951x| Criticism and interpretation.=| ^A18534;

830 0 a| Music in the twentieth century.=| ^A275257;

994 a| C0b| ERE;

596 a| 3;

998 a| 1088868;

999 a| ML410.S283 C44 2007w| LCc| 1i| 30372013227829d| 9/7/2018e| 2/26/2017f| 3/12/2024g| 5l| MSTm| JMUSICn| 6q| 2r| Ys| Yt| MGESBKu| 8/13/2007x| BOOKz| MCIRCo| .STAFF. enhanced 4/22/22 -jjab;

Schoenberg's musical imagination / Michael Cherlin.

Author/creator	Cherlin, Michael
Format	Book
Publication Info	Cambridge ; New York : Cambridge University Press, 2007.
Description	xvi, 397 pages : illustrations, music ; 26 cm.
Subjects	Schoenberg, Arnold, 1874-1951--Criticism and interpretation.

Series	Music in the 20th century Music in the twentieth century. ^A275257
Contents	A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century -- Dialectical opposition in Schoenberg's music and thought -- Dramatic conflict in Pelleas und Melisande -- Motive and memory in Schoenberg's First String Quartet -- Uncanny expressions of time in the music of Arnold Schoenberg -- The tone row as the source of dramatic conflict in Moses und Aron -- The String Trio: metaleptic Schoenberg.
Abstract	No composer was more responsible for changes in the landscape of twentieth century music than Schoenberg, and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas, and scholars without an understanding of the formidable musical technique are ill-equipped to understand the music. This book is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer, and their impact on his ever-changing compositional style over the course of this remarkable career.
Bibliography note	Includes bibliographical references (pages 384-389) and indexes.
ISBN	9780521851664 (hbk.)
ISBN	0521851661 (hbk.)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.S283 C44 2007	✔ Available	Place Hold

Schoenberg's musical imagination / Michael Cherlin.

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