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LEADER 03194cam a22004214a 4500

001 ocm71244007;

003 OCoLC;

005 20141211194803.0;

008 060831s2007 cauag b s001 0 eng ;

010 a| 2006029087;

020 a| 9780520249653 (cloth : alk. paper);

020 a| 0520249658 (cloth : alk. paper);

035 a| (Sirsi) o71244007;

035 a| (OCoLC)71244007;

049 a| EREM;

050 00 a| ML410.B26b| F67 2007;

082 00 a| 780.922| 22;

100 1 a| Fosler-Lussier, Danielle,d| 1969-=| ^A716401;

245 10 a| Music divided :b| Bartók's legacy in cold war culture /c| Danielle Fosler-Lussier.;

300 a| xx, 229 pages :b| illustrations, music ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| California studies in 20th-century music ;v| 7;

504 a| Includes bibliographical references (pages 207-219) and index.;

505 00 t| Bartók's concerto for orchestra and the demise of Hungary's "Third road" --t| A compromised composer: Bartok's music and Western Europe's fresh start --t| "Bartok is ours": the voice of America and Hungarian control over Bartok's legacy --t| Bartok and his publics: defining the "Modern classic" --t| Beyond the folk song; or, what was Hungarian socialist realist music? --t| The "Bartok question" and the politics of dissent: the case of Andras Mihaly --t| Epilogue East: Bartok's difficult truths and the Hungarian revolution of 1956 --t| Epilogue West: Bartok's legacy and George Rochberg's postmodernity --g| Appendix 1.t| Compositions by Bartok broadcast on Hungarian radio, 18 September to 1 October 1950.;

520 a| This book explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, the author illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Bela Bartok. She shows how a tense period of political transition plagued Bartok's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartok's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions.;

600 10 a| Bartók, Béla,d| 1881-1945x| Criticism and interpretation.=| ^A27166;

650 0 a| Musicy| 20th centuryx| History and criticism.=| ^A147357;

830 0 a| California studies in 20th-century music ;v| 7.=| ^A473908;

994 a| C0b| ERE;

596 a| 3;

998 a| 1083850;

999 a| ML410.B26 F67 2007w| LCc| 1i| 30372013218265d| 7/14/2014e| 1/28/2013f| 2/25/2024g| 7l| MSTm| JMUSICn| 6q| 1r| Ys| Yt| MGESBKu| 7/11/2007x| BOOKz| MCIRCo| .STAFF. enhanced 5/13/21 -jmusictech;

Music divided : Bartók's legacy in cold war culture / Danielle Fosler-Lussier.

Author/creator	Fosler-Lussier, Danielle, 1969-
Format	Book
Publication Info	Berkeley : University of California Press, ©2007.
Description	xx, 229 pages : illustrations, music ; 24 cm.
Subjects	Bartók, Béla, 1881-1945--Criticism and interpretation. Music--Political aspects. --Hungary. --History. --20th century. Music--Political aspects. --History. --20th century. Music--20th century. --History and criticism.

Series	California studies in 20th-century music ; 7 California studies in 20th-century music ; 7. ^A473908
Contents	Bartók's concerto for orchestra and the demise of Hungary's "Third road" -- A compromised composer: Bartok's music and Western Europe's fresh start -- "Bartok is ours": the voice of America and Hungarian control over Bartok's legacy -- Bartok and his publics: defining the "Modern classic" -- Beyond the folk song; or, what was Hungarian socialist realist music? -- The "Bartok question" and the politics of dissent: the case of Andras Mihaly -- Epilogue East: Bartok's difficult truths and the Hungarian revolution of 1956 -- Epilogue West: Bartok's legacy and George Rochberg's postmodernity -- Appendix 1. Compositions by Bartok broadcast on Hungarian radio, 18 September to 1 October 1950.
Abstract	This book explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, the author illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Bela Bartok. She shows how a tense period of political transition plagued Bartok's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartok's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions.
Bibliography note	Includes bibliographical references (pages 207-219) and index.
LCCN	2006029087
ISBN	9780520249653 (cloth : alk. paper)
ISBN	0520249658 (cloth : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML410.B26 F67 2007	✔ Available	Place Hold

Music divided : Bartók's legacy in cold war culture / Danielle Fosler-Lussier.

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