The prima donna and opera 1815-1930 / Susan Rutherford.

Author/creator Rutherford, Susan
Format Book
Publication InfoCambridge : Cambridge University Press, 2006.
Descriptionxii, 381 pages : illustrations ; 24 cm.
Subjects

SeriesCambridge studies in opera
Cambridge studies in opera. ^A396000
Contents Sirens and songbirds -- Superdivas and superwomen -- Tutors and tuition -- The supporting cast -- Professional life -- Vocal and theatrical landscapes -- The singing actress.
Abstract This book is concerned not so much with the 'prima donna' as with prime donne: a group of working artists (sometimes famous but more often relatively unknown and now long forgotten) and the circumstances of their professional lives. It attempts to locate these singers within a broader history, including not only the specificities of operatic stage practice but the life beyond the opera house - the social, cultural and political framing that shaped individual experience, artistic endeavour and audience reception. The author addresses questions such as the multiple discourses on the image of the singer and their impact on the changing profile of the professional artist from figlia dell'arte at the beginning of the era to middle-class woman at the end; the aspect of the 'stage mother' and patronage; issues of vocal training and tuition; professional life in the operatic market-place; and performance (both vocal and dramatic) conventions and practices.
Bibliography noteIncludes bibliographical references (pages 340-364) and index.
ISBN052185167X
ISBN9780521851671

Availability

Library Location Call Number Status Item Actions
Music Music Stacks ML1704 .R88 2006 ✔ Available Place Hold